Page 78 - John Kador - 201 Best Questions to Ask on Your Interview-McGraw-Hill (2002)
P. 78

DO YOU MIND IF I TAKE NOTES


                                remember in your previous job how one of the product launches hit an
                                unexpected snag and how you helped unravel the problem. You don’t
                                want to interrupt the interviewer, so you make a quick note to talk about
                                the incident later in the interview.
                                  “Remember, first impressions are critical,” says CareerSite.com’s
                                Grabczynski. “If you’re going to take notes, don’t use a pencil or loose
                                scraps of paper or the back of your parking ticket. Use a fine pen and a
                                clean, professional notebook, preferably bound in leather.” The pen you
                                select makes a statement about you. Make sure it reflects the profes-
                                sional you. A fountain pen is good if you know how you use it. A little
                                silver one might be fine, but not gold. And for pity’s sake, make sure it
                                works. Nothing will defeat your purpose more than you fumbling with a
                                pen that runs out of ink. Asking the job interviewer for a pen is some-
                                thing you definitely want to avoid. And as long as we’re on writing uten-
                                sils, now’s not the time to pull a chewed pencil out from behind your ear.
                                If you’re applying to be an art director, you can maybe get away with
                                using a colored marker, but otherwise the interviewer will wonder if you
                                can be trusted with sharp objects.


                                BODY LANGUAGE
                                Make sure your body language remains open. That means keeping the
                                pad on the table instead of on your lap. Learn how to take notes while
                                still maintaining occasional eye contact. “Don’t let your note taking
                                close you off from the interviewer,” Mays says. “If you can’t take notes
                                without interfering with open body language, don’t take notes.”
                                  At the same time, keep your note taking discreet. You don’t want to
                                give the impression that you’re a detective and your note taking might be
                                used against the interviewer. You know you have crossed the line when
                                the interviewer asks if you’re going to read him his Miranda rights be-
                                fore questioning.
                                  Learn to take notes without losing eye contact. Interviewers will
                                be insulted if all they have to talk to is the top of your head. Taking
                                notes while keeping your head up is a skill that must be practiced.
                                Here’s one way to practice this important skill: Turn on the TV to one
                                of the Sunday interview programs. As you take notes on the inter-
                                viewer’s questions, practice keeping your eyes on the screen, glanc-


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