Page 167 - A Handbook Genre Studies in Mass Media
P. 167

CHAPTER 6

                  Aksa TV. The program features Uncle Hazim (Hazim Sharawi) romping
                  with a cast of friendly bears, rabbits, and chickens—men dressed in ani-
                  mal costumes. At the same time, the program subtly imparts information
                  about the disputed status of Jerusalem, Palestinian prisoners in Israeli
                  jails, and the Palestinian refugees’ demand for a right to return to the
                  lands they lost to Israel in the 1948 war. The political polemic is carefully
                  incorporated into the format of the children’s show. For instance, the show
                  features egg-and-spoon races and eating apples on a string or tug of war,
                  which Sharawi notes, show children that “the more you cooperate with
                  others, the more you win.”

                       “Our television show will have a message, but without getting into the
                       tanks, the guns, the killing and the blood,” said Mr. Sharawi, sitting in
                       the broadcast studio where he will produce his show. “I will show them
                       our rights through the history, show them, ‘This is Nablus, this is Gaza,
                       this is Al Aksa mosque, which is with the Israelis and should be in our
                       hands.’” 46

                  (For further discussion of latent persuasive functions, see Chapters 2
                  and 8.)
                    The United States government has also used popular genres as a pro-
                  paganda tool. In January 2004, it was discovered that the Bush adminis-
                  tration had violated federal law by producing and distributing television
                  news segments promoting its Medicare program, disguised as broadcast
                  journalism segments. The Bush administration sent video news releases
                  (VNRs) to local news stations throughout the United States. The video
                  stories contained all of the formulaic elements of broadcast news stories,
                  including a voiceover by a person who signed off, “In Washington, I’m
                  Karen Ryan reporting.” Investigation revealed that Karen Ryan is not a
                  journalist but, instead, an employee of the public relations firm that the
                  government hired to produce the VNRs. The Government Accountabil-
                  ity Office, an investigative arm of Congress, has determined that these
                  videos “constitute covert propaganda” because the government was not
                  identified as the source of the materials and violated the prohibition on
                                                   47
                  using taxpayer money for propaganda.  Thus, although the audience was
                  expecting to receive an informative report about the Medicare program,
                  they were instead presented with the Bush administration’s “spin” about
                  the program.
                    The cases cited above involve intent on the part of the media com-


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