Page 48 - A Handbook Genre Studies in Mass Media
P. 48

FORMULAIC ANALYSIS

                  Mature Stage

                  At this phase, the genre is well established, with many versions of the
                  genre appearing in the media. Today, the competition for the Tonight Show
                  on broadcast television alone includes Late Show with David Letterman
                  (CBS), Conan O’Brien (NBC), Late, Late Show with Craig Ferguson
                  (CBS), and Jimmy Kimmel Live (ABC). In addition, talk shows began
                  appearing in the morning and afternoon slots.
                    In an effort to appear distinctive, these programs experiment with the
                  established formula. For instance, breaking with the traditional cadre of
                  celebrity guests, David Letterman has made a semi-regular of Rupert
                  G, who owns a deli down the street from Letterman’s theater. Ironically,
                  by playing with the conventions of the talk show, hosts like David Let-
                  terman are harkening back to the innovations of their predecessors from
                  the formative stage, such as Ernie Kovacs.

                  Formulaic Elements

                  Formulaic Premise

                  A premise is defined as the initial circumstance, situation, or assumption
                  that serves as the point of origin for a narrative. Each genre has its own
                  distinctive formulaic premise; that is, a characteristic situation in which
                  characters find themselves. This premise furnishes information about
                  what the audience can expect when it comes upon a program belonging
                  to a particular genre.
                    For instance, a situation comedy is a half-hour series focused on epi-
                  sodes involving recurring characters. The humor is based on everyday
                  situations rather than on individual jokes. The characters survive minor
                  problems—only to face new trials in the next episode.
                    The premise of a genre begins with a describable worldview. For
                  instance, scholar Ken Burke describes the premise of the disaster genre
                  in terms of the following worldview:


                       [In] the disaster film, a contemporary counterpart to “States of the Future,”
                       . . . modern society is threatened by natural problems such as earthquakes,
                       tidal waves, fires, and runaway airplanes. In these sensationalistic break-
                       downs of the old hero story, some portion of the planet is endangered by a
                       force beyond control, leaving a bevy of celebrities to scurry out of harm’s
                       way in time for a sequel. 7

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