Page 87 - A Handbook Genre Studies in Mass Media
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CHAPTER 4

                         Compare the two shows and quickly Survivor looks like an ancient
                       workhorse, generations removed from The Swan. Survivor was a major
                       innovating force behind the first phase of the reality genre’s evolution, but
                       The Swan shows we’ve gone far beyond that in just four short years.
                         Survivor brought forth Phase I of reality TV: The Battle of Wits. Other
                       networks soon copied this idea, with fare ranging from Big Brother to The
                       Mole. These were simple times for the reality genre, where there was a
                       straightforward mix of game show and serial drama. Characters were
                       average people, there was a pot of gold for the ultimate winner and plenty
                       of Machiavellian moves were required to snatch the prize.
                         But viewers are smart, and in two years they quickly learned the
                       structure and drama of the Battle of Wits shows (and the Find Your Mate
                       shows, spawned by The Bachelor). Enter Phase II: The Joke. We all be-
                       came familiar with the reality storylines, so producers thought of ways
                       to subvert themselves by twisting the premise, like lying to a bunch of
                       eligible women that the hunky guy they’re trying to net is a millionaire.
                       Other jokes: Average Joe and My Big Fat Obnoxious Fiancé.
                         . . . Then came the Seinfeldian moment in reality shows. Phase III:
                       Nothing. These shows showed no evolution in the characters at hand or
                       any improvement in a situation. Among them were The Simple Life and
                       Airline, the Bravo reality show about customer complaints at Southwest
                       Airlines check-in counters. (Yes, they actually do lose your luggage.) Even
                       The Restaurant had very little to say once chef Rocco DiSpirito opened
                       the doors to the place.
                         Of course, Something is more interesting than Nothing, and Phase
                       IV brings the most powerful of storylines: Aspiration. It comes from
                       that great American notion that one can be whoever he or she wants to
                       be. Now, reality TV promises that can happen, be it the perfect job (The
                       Apprentice), the perfect body (Extreme Makeover), or the perfect house
                       (Extreme Makeover: Home Edition). Through the miracles of plastic
                       surgery, you can look just like your favorite celebrity on MTV’s I Want
                       a Famous Face.
                         The Swan takes it a step further, promising not just a perfect body, but a
                       winning personality, thanks to the therapists and life-coaches. . . . Maybe
                       we can’t relate to sweating it out in the jungle like on Survivor or being
                       duped by an allegedly rich suitor like on Joe Millionaire, but this stuff is
                       different. A million-dollar prize (assuming you won the Survivor contest)
                       would be a salve to a lot of people’s problems, but we’re all told money
                       can’t buy happiness. Self-improvement, for some, means taking language
                       lessons; others think about a facelift. To others, a rewarding job in the
                       Trump Empire can bring happiness. But on The Swan, the show vows to
                       improve everything about yourself: The body and, most importantly, the

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