Page 70 - Aesthetic Formations Media, religion, and the Sense
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Purity and the Devil                 55

       domain of pleasure that seduces people and leads them astray. Evangelical
       preachers criticize these “playgrounds of the devil” and urge their audience
       to avoid them. During church services pastors repetitively persuade their
       listeners to separate themselves from the people who live “worldly” lives.
         Indeed, during my ten-month stay in the favela, many people who fre-
       quented the evangelical churches told me “they were in the world, not of
       the world. They were different.” Often, when I asked them what it meant
       to be different from the other inhabitants, people explained they could no
       longer watch certain television programs, listen to particular music, or be
       seen in the company of specific neighbors. This insistence on difference
       kept me puzzled during the course of my stay in Rio de Janeiro. How do
       people who live in a social environment saturated with mediated popular
       culture, enmeshed in the politics of daily life decide what is “of the world”
       and what is not? And how is such a difference, once established as a social
       category, enacted and legitimized in a complex urban social environment,
       characterized by constant flux and indeterminate social positions? Many
       adherents claimed they were not “of the world”; other inhabitants would
       contest such claims and accuse them of hypocrisy. “Who were they to
       claim that they were different from the rest, hadn’t they danced the samba
       and courted with them in the past, weren’t they still listening pagode or
       watching telenovelas (soaps) when they had the chance?”
         Surely, it would not be hard to side with these voices and underscore the
       fragility of the boundaries between social groups or the superficiality of the
       conversion to Pentecostal faith of some inhabitants. Nevertheless, plenty of
       people radically changed their lifestyle, media preference, and mode of con-
       duct after joining an evangelical congregation. Furthermore, as many oth-
       ers have noted in relation to the favelas of Rio de Janeiro, to portray oneself
       as an evangélico (evangelical) is generally regarded as serious and powerful
       expression of collective identity. How should we understand this collective
       sense of alterity in such a social environment and what can it tell us of the
       reproduction of socio-religious boundaries in a very dense life world full of
       mass mediated images and sounds from a wide variety of sources?
         In this chapter I discuss the efforts of two evangelical churches—
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       the Igreja Universal do Reino de Deus  and the Assembléia de Deus —to

       attract adherents and to instill in them a sense of a community. I will
       argue that one of the important strategies is to classify, incorporate,
       and purify the many so-called worldly phenomena that surround peo-
       ple. Evangelical churches attempt to strengthen the sense of the divine
       order by classifying and incorporating popular cultural practices, sym-
       bols, media, and spaces. Such dynamics operate as a double-edged
       sword, on the one side aiming to attract people through established
       popular practices and on the other side demonstrating the power of a
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