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C H A P T E R   1 0
                                       B A R R E D  N U N S :  ITALIAN  N U N S P L O I T A T I O N  F I L M S

                                      Tamao  Nakahara











                                      INTRODUCTION

                                      Images  and  narratives  of sexual  or  sexualised  nuns  have  appeared  sporadically over  many centuries.
                                      They feature in  the  real-life stories  of Héloïse and  the nun of Monza;  in  literature such  as  Giovanni
                                      Boccaccio's  II Decameron  {The Decameron,  1351),  Pietro  Aretino's  Ragionamenti  (Dialogues,  1600)
                                      and Denis Diderot's La religieuse (The Nun,  1762); as well as in films such as Benjamin Christensen's
                                      Haxan  (1922),  Michael  Powell  and  Emeric  Pressburger's  Black  Narcissus  (1947)  and  X-rated  nun
                                      porn  to  name  but  a  few  examples.1  What  stands  out  from  this  intermittent  attention  given  to  the
                                      lives  of nuns  and,  in particular,  to  that of transgressive nuns,  is  a brief period  in  the  1970s  in which
                                      three to four Italian exploitation  films  per year were devoted to the narratives of naughty nuns. These
                                      'nun exploitation' films were produced around the globe in countries as varied as the US, U K , Spain,
                                      Australia,  the  Philippines  and Japan;  however,  the  highest concentration  of production  came  from







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