Page 52 - Alternative Europe Eurotrash and Exploitation Cinema Since 1945
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1970s.  One  striking  fantasy  of male  insignificance  and  engulfment  is  elaborated  in  a  text  roughly
                                 contemporary to  Queen Kong:  the  'Joan  Crawford'  sketch on Peter Cook and  Dudley Moore's  1977
                                 album,  Derek and Clive  Come Again. The combination of misogynistic terror,  helpless masochism and
                                 infantile regression makes for a suggestive parallel with  Queen Kong.
                                    Clive:   And I  look around,  and I saw someone lying on a bed.  I thought 'that's a
                                             fucking familiar face'. And it was Joan Crawford.
                                    Derek:   Gawd. Fucking hell.
                                    Clive:   And I'm  cleaning the windows,  and  this fucking wind blew up,  tropical  storm
                                             invaded the bedroom, and I was swept away by this huge gust of wind, straight
                                             up  her  fucking cunt.
                                    Derek:   O h no.
                                    Clive:   Yeah.  I went straight up  through  the nylon  underwear,  tore  through  the
                                             diaphragm she was wearing, and there was no exit.10

                                 All this Oedipal madness  raises the question: how big is Queen Kong's vagina? King Kong's erection
                                 was  once  calculated  to  be  20  inches  long -  impressive  but  not so  as  to  make  sex entirely out  of the
                                 question  if Fay Wray were  sufficiently  limber  and  game.  What  about  Queen  Kong,  though?  Ray  is
                                 happy to  shack up with  her at the end  of the  film,  his  role some  indefinable  combination  of acolyte,
                                 lover,  colonial  overlord  and zookeeper.  Queen  Kong  turns  out  to  be  the  perfect woman,  in  whose
                                 ample  symbolic  form  diverse  fantasies  of weird  sex  and  masochistic  submission  are  embodied  and
                                 catered  for.  The  implication  is  that  Ray  becomes  a  kind  of human  dildo.  In  the  spirit  of Derek  and
                                 Clive  he  persistently  attempts  to  return  to  the  womb  and  thereby  fulfil  an  Oedipal  fantasy  of the
                                 highest  order -  fucking  Mother with  one's  entire  infantile  body.


                                 CONCLUSION


                                 Is it, as Marxists used to say, any coincidence that a few years later, to satiate this subconscious yearning
                                 for  matriarchal  control  and  with  the  promise  of arresting  national  decline,  a  woman  should  indeed
                                 come  to  rampage  across  and  dominate  Britain?  Mrs Thatcher -  mother,  matron  and  dominatrix,  the
                                 'Great She Elephant' - was the Queen Kong of politics. Sex symbol, icon and white goddess (crucially
                                 she  is  bleached  of Queenie's  disturbing  racial  connotations),  Mrs  Thatcher  spoke  to  and  answered
                                 fantasies of desire and control submerged deep  in the political  unconscious, fantasies given  ridiculous
                                 but comprehensive expression  in  an unreleased exploitation  film  about a 64-foot female gorilla.










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