Page 171 - Battleground The Media Volume 1 and 2
P. 171

1 0  |  Gay, Lesb an, B sexual, Transgendered, and Queer Representat ons on TV

                          This  means  that  how  a  same-sex  romance  unfolds—and  what  intimate
                       or sexual details will be depicted on screen—becomes a crucial question. It
                       is crucial for network prime time too (several seasons of Will & Grace un-
                       folded  before  Will  had  his  first  romantic  kiss),  but  is  much  more  relevant
                       for daytime since soaps air five days a week and intimate relationships unfold
                       in much greater detail. Indeed, soaps’ focus on romance gives the genre the
                       dubious  distinction  of  having  more  sexual  content  than  any  other  type  of
                       TV programming, according to a Kaiser Family Foundation report, includ-
                       ing flirting, open-mouthed passionate kissing, fondling (though not of breasts
                       or genitalia), vaginal intercourse (implied, not depicted), “playful” S & M or
                       bondage scenes, and occasionally what appears to be oral sex (very vaguely
                       implied). Totally absent is intimation of other types of sex acts, such as anal
                       sex, group sex, or sex toys. Also absent on daytime soaps, in major contrast to
                       network prime time and cable, are depictions of nudity. Shirtless men are com-
                       monly depicted on soaps, but shirtless women are filmed only from the back
                       and both genitalia and backsides are nowhere to be seen. And while soaps
                       have the most sexual content, they are also more likely than sitcoms, dramas,
                       or TV movies to emphasize sexual responsibility and the potentially negative
                       consequences of sexual risk.
                          Daytime’s first same-sex kiss actually occurred on As the World Turns (CBS)
                       in June 2001. However, it was between a straight man in drag attempting to
                       harm another man through poisoned lip gloss (it’s a long story). Daytime’s first
                       romantic same-sex kiss was between Bianca and Lena on All My Children (ABC),
                       which occurred in 2002 and was widely applauded in the daytime press. The kiss
                       was more than a chaste peck (though no tongues were involved) and did not
                       progress to further on-screen physical intimacy, though an off-screen relation-
                       ship between Bianca and Lena was implied by the narrative. For the remainder
                       of Bianca’s time in Pine Valley (the actress/character exited the show in 2005
                       though has since returned), however, the writers chose not to explore her love/
                       sex life but instead showcased her rape, subsequent pregnancy, and involvement
                       in a complicated baby-switch storyline. A fully explored same-sex relationship
                       has yet to happen in daytime soap opera.


                          whErE arE wE now? ThE 2006–2007 TELEvision sEason

                          In August 2006, GLAAD issued a press release analyzing diversity in the
                       2006–2007  U.S.  television  season  (see  http://www.glaad.org/eye/ontv/06-07/
                       overview.php). Focusing on prime-time comedies and dramas on the broadcast
                       networks, they  counted  only  nine  gay  or  lesbian  lead  or  supporting  char-
                       acters out of 679 television series—1.3 percent of the overall total. While this
                       percentage is about the same as in the 2005–2006 season (then it was 1.4 per-
                       cent),  GLAAD  found  that  the  profile  of  the  character  roles  has  been  greatly
                       reduced from one year to the next. Not surprisingly, characters and storylines
                       with  varied  sexualities  are  more  easily  found  on  cable  networks  and  in  un-
                       scripted reality and competition programming. Interestingly, given our discus-
                       sion above, for the first time in U.S. television history the three networks that
   166   167   168   169   170   171   172   173   174   175   176