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1   |  Al-Jazeera

                       of unrenewable fossil fuels and one of the worst offenders for releasing harmful
                       levels of emissions into the atmosphere.
                          Advertising influences society and culture on many levels. It compels us to
                       define who we are and what will make us happy. In a very real way, advertising
                       propels our consumption lifestyle and is intimately tied to a set of market rela-
                       tionships that drives the global economy. Only by understanding the broader
                       role advertisements play in culture, the environment, and the globe will we be
                       better able to make choices about what to buy and how we want to live.

                       see also Body Image; Branding the Globe; Hypercommercialism; Media and Elec-
                       toral Campaigns; Media Literacy; Pharmaceutical Advertising; Political Enter-
                       tainment; Product Placement; Ratings; Representations of Women; Television in
                       Schools; Video News Releases; Youth and Media Use; Women’s Magazines.
                       Further reading: Andersen, Robin. Consumer Culture and TV Programming. Boulder, CO:
                           Westview Press, 1995; Andersen, Robin, and Lance Strate. Critical Studies in Media Com-
                           mercialism. London: Oxford University Press, 2000; Berger, John. Ways of Seeing. New
                           York: Penguin Books, 1974; Ewen, Stuart. Captains of Consciousness: Advertising and
                           the Social Roots of the Consumer Culture. New York: Basic Books, 2001; Frank, Thomas.
                           The Conquest of Cool: Business Culture, Counterculture and the Rise of Hip Consumerism.
                           Chicago: University of Chicago Press, 1997; Frith, Katherine Toland, ed. Undressing the
                           Ad: Reading Culture in Advertising. New York: Peter Lang, 1998; Goldman, Robert, and
                           Stephen Papson. Sign Wars: The Cluttered Landscape of Advertising. New York: Guilford
                           Press, 1996; Jacobson, Michael F., and Laurie Ann Mazur, Marketing Madness: A Sur-
                           vival Guide for a Consumer Society. Boulder, CO: Westview Press, 1995; Jhally, Sut. The
                           Codes of Advertising: Fetishism and the Political Economy of the Consumer Society. New
                           York: Routledge, 1990; Marchand, Roland. Advertising the American Dream: Making Way
                           for  Modernity  1920–1940.  Berkeley:  University  of  California  Press,  1985;  McAllister,
                           Matthew P. The Commercialization of American Culture: New Advertising, Control and De-
                           mocracy. Thousand Oaks, CA: Sage, 1995; Quart, Alissa. Branded: The Buying and Selling
                           of Teenagers. Cambridge, MA: Perseus Publishing, 2003; Turow, Joseph. Niche Envy: Mar-
                           keting Discrimination in the Digital Age. Cambridge, MA: MIT Press, 2006; Williamson,
                           Judith. Decoding Advertisements. London: Marion Boyars, 1978.
                                                                               Robin Andersen


                       al-Jazeera

                          The Qatari-based Al-Jazeera satellite channel, the first 24-hour all-news net-
                       work in the Arab world, has been surrounded by much controversy since its
                       inception. Its uninhibited critique of authoritarian governments has infuriated
                       many Arab officials, who have not been used to seeing a broadcast network that
                       is not appeasing their policies. Its exclusive broadcast of tapes by Osama bin
                       Laden and his lieutenants and its unvarnished reporting on the wars in Afghani-
                       stan and Iraq and the most recent war in Lebanon have catapulted it into the in-
                       ternational media spotlight. It has been heralded by its admirers as a beacon for
                       freedom of expression, and accused by its critics of sensationalism and biased
                       reporting. Indeed, some U.S. officials charged the station with anti-American
                       bias for its coverage of the “war on terror.”
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