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P rate Rad o  | 

              for noncommercial low-power radio. While issues remain regarding the expan-
              sion of the service beyond small towns and rural parts of the country, LPFM
              is nevertheless an important milestone toward increasing public access to the
              airwaves.
                It is significant that this movement of pirate radio activism took hold in the
              period prior to and around the passage of the 1996 Telecommunications Act, a
              time during which the radio industry was subject to massive consolidation of
              ownership, reduction and, in some cases, elimination of local influence over con-
              tent and programming decisions. And public radio was increasingly being criti-
              cized by some for becoming increasingly national in focus and “beige” in sound.
              These criticisms remain in the foreground for alternative media advocates.


                ConCLusion
                In short, pirate radio is deeply woven into the cultural fabric of our media
              landscape, emerging in a range of contexts for a variety of agendas across all
              political lines. It has demonstrated the need for more media diversity and pub-
              lic access and less corporate and government domination of the airwaves, has
              galvanized a movement of media activists, and has entered the cultural lexicon
              as an evocative symbol of media resistance. Pirate radio is both an alternative
              to mainstream media and a site where important battles over communication
              rights are taking place.
              see also Alternative Media in the United States; Conglomeration and Media
              Monopolies; Global Community Media; Government Censorship and Freedom
              of Speech; Hypercommercialism; The iTunes Effect; Media Reform; Minority
              Media Ownership; National Public Radio; Regulating the Airwaves.
              Further reading: Bennett, Dylan. “Rebel Radio.” Sonoma Country Independent, May 14–20, 1998;
                 Carpenter, Sue. 40 Watts From Nowhere: A Journey into Pirate Radio. New York: Scrib-
                 ner, 2004; D’Arcy, Margaretta Mitchell. “Galway Pirate Women.” In Caroline Mitchell,
                 ed., Women and Radio. London: Routledge, 2000; Fowler, Gene, and Bill Crawford. Bor-
                 der Radio. Austin, TX: Texas Monthly Press, 1987; Hadden, Jeffrey and Charles Swann.
                 Prime-Time  Preachers:  The  Rising  Power  of  Televangelism.  Boston:  Addison-Wesley,
                 1981; Hilliard, Robert L., and Michael C. Keith. Waves of Rancor: Tuning in the Radical
                 Right. Armonk: M. E. Sharpe, 1998; Hind, John, and Stephen Mosco. Rebel Radio: The
                 Full Story of British Pirate Radio. London: Pluto, 1985; Lewis, P. M., and Jerry Booth.
                 The Invisible Medium. Hampshire: Palgrave, 1989; Markels, Alex. “Radio Active.” Wired
                 Magazine  (2000),  http://www.wired.com/wired/archive/8.06/radio.html,  accessed  on
                 October 19, 2005; National Lawyers Guild. “Dunifer Brief,” 2000, http://www.nlgcdc.
                 org/briefs/dunifer.html,  accessed  on  March  17,  2004;  Ofcom.  “Illegal  Broadcasting:
                 Understanding  the  Issues,”  2000,  http://www.ofcom.org.uk/research/radio/reports/ille
                 gal_broadcasting/, accessed on April 19, 2007; Riismandel, Paul. “Radio by and for the
                 Public: the Death and Resurrection of Low-Power Radio.” In Michele Hilmes and Jason
                 Loviglio, eds., Radio Reader: Essays in the Cultural History of Radio. Urbana-Champaign:
                 University of Illinois Press, 2001; Sakolsky, Ron, and Stephen Dunifer, eds. Seizing the
                 Airwaves: A Free Radio Handbook. San Francisco: AK Press, 1998; Tridish, Pete, and
                 Kate Coyer. “A Radio Station in Your Hands is Worth 500 Channels of Mush! The Role
                 of Community Radio in the Struggle against Corporate Domination of Media.” In Elliot
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