Page 507 - Battleground The Media Volume 1 and 2
P. 507

  |  Sensat onal sm, Fear Monger ng, and Tablo d Med a


                woMan Falls through a grate
                Consider the stories and headlines that appeared in different newspapers on the same day.
                The New York Daily News (May 18, 2007) headline read “HER GRATE ESCAPE.” On the same
                day another tabloid, the New York Post, led with “GRATE! ANOTHER CON ED PLUNGE.”
                But the New York Times ran the story, “Senators in Bipartisan Deal on Broad Immigration
                Bill.” The story about the woman’s mishap was featured in the Metro section on page 6 in
                the Times with the headline, “Manhattan: Woman Falls Through Sidewalk Grate.” What is
                important to note is that the next day the papers reported that Con Edison was going to
                check all of their grates. The coverage brought action.


                       the news spectrum. These critiques are encapsulated in the phrase “coups and
                       earthquakes,” which is also the title of one book about international news report-
                       ing, and conveys the idea that foreign countries are brought to the attention of
                       the American public only when they experience a disaster or government over-
                       throw. Even then, the coverage is only justified by the drama and sensational
                       images that attract viewers. Such infrequent and sensational reporting fails to
                       allow readers and viewers to understand the economic and political causes of
                       such events, or to be able to evaluate the long-term solutions to those and other
                       global  problems.  Under  these  conditions,  increasingly  complex  global  issues
                       remain underreported, with news managers often asserting that the public is
                       uninterested in international news. Critics and other news professionals coun-
                       ter that it is up to journalists and editors to make the world comprehensible in
                       a way that interests the public.


                          BEnEFiTs oF sEnsaTionaLism

                          The harmful and beneficial aspects of sensationalism continue to be debated.
                       There are different perspectives that point to the positive effects of sensational-
                       ism and its ability to attract attention to social problems and its role in shaping
                       values. Some argue that sensationalism encourages the public to engage in the
                       political life of the country. Though scandal coverage can be titillating, it is nev-
                       ertheless important news when a local politician is caught taking bribes. Indeed,
                       when houses catch fire and cars are involved in traffic accidents on crowded
                       highways, reporting these stories brings people important information.
                          Some critics also note that “real” or “hard” news is often elite news, catered
                       more  to  an  upper-middle-class  audience  than  to  the  broad  spectrum  of  the
                       American public as a whole, and that it is also often inordinately concerned with
                       masculine interests. As such, some either defend sensationalism as reflective of
                       a democratization of the media, or at least see it as an outgrowth of the tendency
                       of “hard” news to alienate many viewers.
                          Some analysts also make the case that sensationalism serves society by codi-
                       fying social beliefs and values. When we see the sinner get caught, the underdog
                       triumph, and the hero fall, we are clarifying our notions of good and evil, right
                       and wrong, justice and injustice. The President Clinton/Monica Lewinsky story
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