Page 210 - Communication Processes Volume 3 Communication Culture and Confrontation
P. 210

Say It in Singing!  185
                                            .
                  To define melodic phrasing (anga) in grindmill songs, we would,
                therefore, need to search combinations of melodic and prosodic
                parameters. Indeed, these two notions borrowed from musicology
                and linguistics cover the same physical (acoustic) reality, namely,
                time/pitch structures, but the distinction makes sense at the cog-
                nitive (musicological/phonological) level. The bundling of these cogni-
                tive and physical aspects in either domain (musicology or linguistics)
                may  be  achieved  under  the  common  label  ‘intonation  system’.
                The following broad definition of intonation holds true with semi-
                improvised music:

                  On the physical level, intonation is used to refer to variations of one
                  or more acoustic parameters. Of these, fundamental frequency (F0)
                  is universally acknowledged to be the primary parameter. Many
                  authors, however, have drawn attention to the pluriparametric
                  nature of intonation which besides fundamental frequency involves
                  variations of intensity and segmental duration. (Rossi et al. 1981;
                  Beckman 1986)

                Some authors in particular include under the term intonation aspects of
                temporal organisation or rhythm which besides intensity and duration
                may be reflected in variations of spectral characteristics such as for
                example distinctions between full and reduced vowels (Crystal 1969,
                Hirst and Di Cristo 1998: 2).


                Handling Subjectivity in Speech Prosody
                Intonation may be considered a universal phenomenon with respect
                to languages and cultures since every language relies on an intonation
                system. Further, many of the linguistic and para-linguistic functions of
                intonation systems seem to be shared by languages of widely different
                origins, even though ‘the specific features of a particular speaker’s
                intonation system are also highly dependent on the language, the
                dialect, and even the style, the mood and the attitude of the speaker’
                (Hirst and Di Cristo 1998: 1). Experiments have shown that the
                awareness of intonation is found in infants from an early age, as early
                as four days after birth—which suggests an acquisition during the
                last months of uterine life—and it is used by them to distinguish the
                prosody of their mother tongue from that of other languages (Mehler
                et al. 1988). ‘The prosodic features of a language are not only probably
   205   206   207   208   209   210   211   212   213   214   215