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                    112                                         Communication Theory & Research
                         TABLE 8.1  THE DEGREE OF INFOTAINMENT OF SEVEN TELEVISION GENRES

                                                           Informative – entertainment
                         Genre and channel                  Topic       Style          Format
                         Talk show 1 (public)                i           i              i/e
                         Information 1 (private)             i           i              e/i
                         News 1 (public)                     i          i/e              i
                         Current affairs 1 (public)         i/e          i               i
                         News 2 (public)                    i/e          i               i
                         News 3 (private)                   i/e          i              i/e
                         Information 2 (public)             i/e          i              i/e
                         Current affairs 2 (public)         i/e         i/e             e/i
                         News 4 (private)                   e/i         i/e             i/e
                         Talk show 2 (private)              i/e         e/i             e/i
                         Entertainment 1 (public)           i/e         e/i              e
                         Talk show 3 (public)               e/i         e/i              e
                         Party spot (CDA)                   e/i          e              i/e
                         Party spot (PvdA)                  e/i          e              e/i
                         Variety show (private)              e           e               e
                         Entertainment 2 (private)           e           e               e
                         Note:i = informative; e = entertainment; i/e = mostly informative; e/i = mostly entertainment.




                         crisis of civic communication covers more ground than infotainment alone.
                         While he and other academics, journalists and politicians in different European
                         countries seem to hold it very much against the bad influence that is coming
                         from across the  Atlantic, scholars in the United States are also increasingly
                         worried about the entertainment focus of many a candidate and about ‘talk
                         show democracy’ (Brokaw et al., 1997).
                           To weigh the pros and cons one has to be sure what the dangers are. The
                         infotaining or popularization of politics on television is, I believe, problematic
                         under three conditions: if that is the dominant form in which politics is
                         portrayed; if it is done to hide something else; or, if it leads to a distorted image
                         of politics. Neither of these conditions seem to be unconditionally the case.




                         Dominance of infotainment

                         A longitudinal, cross-Europe content analysis could give an answer to this, but
                         so far research is scattered. In the overview of studies on television news in a
                         number of West European countries, there is many an example of entertainment
                         elements in the content and style of political reporting. But on the whole, the
                         picture is at best ambiguous and certainly does not point to infotainment taking
                         over and to an unequivocally bad influence of commercial television. With most
                         private stations and the public broadcasters, the news remains at the heart of
                         their programming, and politics still forms a substantial part of most news
                         programmes. The coming of commercial television may have resulted in
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