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                  European Soap Operas: the Diversification of a Genre                  245

                  respectively), the most established, long-term production of a community soap
                  in Europe is the German Lindenstrasse, which has been running, partly in paral-
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                  lel with Die Schwarzwaldklinik, since the mid-1980s. Not surprisingly, in spite
                  of the professed intention of its producer, Lindenstrasse turned out to be quite
                  different from its British inspiration.




                  Power structure

                  European community soaps all attempt to overcome social conflicts and class
                  differences by offering an idealized or nostalgic vision of living together. The
                  British tradition of community soap is proudly working class (with Brookside as
                  a more middle-class exception). The harmonious, all-embracing neighbourhood
                  acts as a cosy environment in which the restrictions on upward mobility are not
                  noticeable as both success and failure drive characters out of the neighbourhood
                  and the soap. Lindenstrasse, Germany’s community soap opera, is about middle-
                  class people, although there are many lower middle-class characters, and most
                  women work as secretaries, waitresses or nurses.
                    Nostalgia for a gemeinschaft in Denmark’s Lansbeyen stresses the value of the
                  country and to a traditional community of farmers who have to rely on each
                  other to weather daily hardships and economic slavery to the banks. Directed
                  at an older audience, as is Coronation Street, the rural community of Landsbeyen
                  is another form of nostalgia – for life in the country and for working the land.
                  In the modern world of capitalism and materialism, it tells us that the good old
                  values of hard work and loyalty to friends are lost. The villain in this almost Ibsen-
                  like drama is the new bank manager, originally a boy from the village, who left
                  with a grudge, made good and comes back to avenge himself.




                  Social loci

                  In all European community soap operas characters struggle through domestic
                  and work problems both at home and at work, and they work mostly within the
                  community. People meet in the common public places. In Coronation Street, these
                  are the pub, the garage, the greengrocer’s, the newspaper shop and the laun-
                  derette; among the gloomier public spaces of Landsbeyen, the bank is a prominent
                  symbol of threat; in the street, central to Lindenstrasse, we are introduced to the
                  cafe, the doctor’s clinic, the flower shop, the bench in the park and the Italian
                  and Greek restaurants. Fewer chores, more leisure.



                  Gender relations


                  A look at the relationships between couples shows that women are stronger in
                  the British community. Like  Coronation Street, the families of  Lindenstrasse are
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