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                  redressing the imbalance between the poles of broadcast circulation.
                  Secondly, the bandwidth and ability to convey complexity in image,
                  music and text allows for richer forms of ‘impression management’ than
                  are achieved in face-to-face interaction. Thirdly, it is emancipatory
                  because it ‘insulates’ the author from any embarrassment, and avoids the
                  possibility of rejection that is experienced in mutual presence (Cheung,
                  2000: 49).
                      But Cheung does not explore the nature of web-page audiences, or
                  deconstruct the idea that their authors are ‘ordinary’ and ‘amateur’ (43).
                  The fact that such characterization is assigned already indicates the
                  necessarily ‘reactive’ nature of such a practice. Which is to say, personal
                  home-pages are not a derivative of Internet communication, but are in fact
                  yet another ritual of audience communities.
                      To go back to Anna Voog, who manages in practice to make of her
                  own person a viewer and a producer, such a convergence, which Andrejevic
                  makes into a vignette of old and new media convergence, can be argued
                  to have already been attained within the dynamics of broadcast architec-
                  ture itself. Voog merely has recourse to the technological means of dis-
                  placing the aura of the image onto the apparatus or means of
                  communication. It is the apparatus which becomes reified, as the image
                  becomes a metonymic condensation of the audience. The television audi-
                  ence can see themselves in such images, without making this the reflexive
                  subject of a further broadcast on web-cam.



                  Telecommunity

                     Electronically mediated communication to some degree supplements
                     existing forms of sociability but to another extent substitutes for them.
                     New and unrecognizable modes of community are in the process of for-
                     mation and it is difficult to discern exactly how these will contribute to or
                     detract from postmodern politics. (Poster, 1990: 154)

                  The term ‘telecommunity’ can be found in the text of Alvin Toffler’s The
                  Third Wave (1980). Without endorsing the historicism of this text, we can
                  say that Toffler’s description of technologically extended community as a
                  social form is one that is useful in a general way.
                      Long before the Internet, Toffler points out that technological exten-
                  sion is a general feature of late-capitalist societies, but that the distinctive
                  form of community which it makes possible is by way of the ‘selective sub-
                  stitution of communication for transportation’ (382). For Toffler, the dis-
                  persal of populations across cities, and between home and work, creates
                  unnecessary anomie. When communications begin to replace commuting,
                  he argues, it can actually revitalize face-to-face relationships insofar as it
                  enables work-from-home (a prophecy of modern telework) where family
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                  bonds and time for neighbourhood bonds are enhanced. At the same
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