Page 259 - Communication and Citizenship Journalism and the Public Sphere
P. 259

248 COMMUNICATION AND CITIZENSHIP

            depictions of violence and of sexual intercourse (‘sex’), but the majority
            of items did not manifestly concern themselves with issues, but  in
            various ways with the doings of TV personalities. Hardly a day passed
            during the monitoring period without the majority of the tabloids (the
            exceptions were Today and the Daily Mail) running personality items.
            There  were  several different  kinds  of personality items. The bulk  of
            them can be classed as direct or indirect publicity or promotionals. The
            papers made fairly liberal use of copy which had probably originated
            with agents and promoters. Such items might consist of little more than
            a good-sized  photograph with a caption  or  short paragraph about
            personalities attending some function or other. The ‘photo opportunity’
            may have been arranged to promote either the personality, a new show,
            or both. Such coverage tended to be reserved for personalities of some
            standing. For those of lesser standing, there would be no photograph.
            The copy for them  might be a paragraph of some twenty to thirty
            words, placed, usually, at the margins of a page. Such items were little
            more than fillers.
              Items of content such as these were not the cardinal ones dealing with
            television. I  identified as cardinal those which were  prominently
            featured, and I assumed a functional relationship between prominence
            and importance.  In short the more prominent an item, the  greater its
            degree  of perceived importance.  As a rough-and-ready measure  of
            prominence, I used a combination of such fairly obvious elements as
            location  in the  paper,  position on  the page, size and number  of
            headlines, presence/absence, and size,  of photograph  and  where
            appropriate whether or not colour was  used. The  most eye-catching
            were those that appeared on the first page, began in the top, left-hand
            quadrant  of the page,  had  at  least  one headline in a large  point  size,
            were accompanied by at least one photograph of key participants and
            may have been continued on subsequent pages. Of perhaps equal, but
            certainly similar, standing were those billed somewhere at the top of
            page one, but presented across two pages elsewhere in the paper. Two
            examples of  this  were the  Mirror’s serialization of The Bruce  Willis
            Story’ in January 1989, and the Sun’s ‘Secret Life of Dirty Den’, billed
            on page one as ‘Another Exclusive’.
              It was these cardinal items which took as their subjects the doings and
            misdoings of ‘stars’. One of the striking features of the stories told was
            their presumption that the central characters were well known. I would
            suggest this was  a presumption because few details were supplied  to
            place them. Typically they would be named. Their status in tellyland
            was also provided as was the name of the show with which they were,
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