Page 117 - Comparing Media Systems THREE MODELS OF MEDIA AND POLITICS
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                                      The Mediterranean or Polarized Pluralist Model

                                 Table 5.1 Functions of Paragraphs in U.S. and French News Stories

                                               Reporting Only Background Interpretation Opinion
                              Le Monde             76.6%         7.5        17.1       6.6
                              Le Figaro            70.0         11.3        13.4       5.2
                              The New York Times   90.3          4.5         4.8       0.4

                              Anglo-American model were embraced. Articles of pure “doctrine or
                              reflection” gave way to a form of journalism that combined reporting
                              and commentary. But a strong emphasis on commentary remained, as
                              did an emphasis on style, creating a French model of journalism dis-
                              tinct from the Anglo-American. Information-oriented journalism, as
                              we shall see in greater detail near the end of this chapter, has made even
                              greater inroads into French journalism in the last couple of decades of
                              the twentieth century, as investigative reporting, for example, has be-
                              come common. But French journalism still includes a relatively strong
                              emphasis on commentary that reflects its political roots. Table 5.1 shows
                              the results of a content analysis of The New York Times, Le Monde, and Le
                              Figaro, with samples from coverage of national politics in the 1960s and
                              1990s, showing the percent of paragraphs devoted to four journalistic
                              functions: reporting events and statements, giving background, giving
                              interpretation (usually involving comments about the motives, causes,
                                                                                 4
                              or consequences of an action or event), and giving opinions. In all three
                              papers, the reporting function predominated, accounting for 90 per-
                              cent of The New York Times paragraphs and more than 70 percent of
                              those in the French papers. The French press, however, clearly put more
                              emphasis on background, interpretation, and opinion, the latter, for ex-
                              ample, accounting for 6.6 percent of paragraphs in Le Monde and less
                              than 1 percent in The New York Times. When Times stories were coded
                              for opinion it usually involved the journalist drawing conclusions about
                              disputed facts; in the French press it was more likely to involve policy
                              advocacy or value judgments about political actions. We did not find

                              4  The sample includes 318 stories and 1,479 paragraphs from Le Monde; 308 stories
                               and 1,350 paragraphs from Le Figaro; and 358 stories and 3,189 paragraphs from
                               The New York Times. Dates were selected randomly from 1965–7 and 1995–7, and
                               every other story dealing with national politics was coded. Paragraphs were coded for
                               their predominant function and in paragraphs that clearly had multiple functions,
                               more active forms of journalism were coded over less active forms – opinion over
                               interpretation, over background, over simple reporting. Coding of the French papers
                               was done by Rod Benson and coding of the U.S. paper was done by Mauro Porto.


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