Page 68 - Composition in Convergence The Impact of New Media On
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TRANSFORMING TEXTS          37

        ventions because students do not have to imagine an "ideal" reader or
        writer.  Nor do the  students  have to  imagine the  assumptions  these
        readers  and  writers  have,  although  misinterpretation  of a  writer's
         statement  can and  does occur. As a result, students  are cognizant of
        the relationships  they wish to form online. In turn, as each class inter-
        acts on a discussion list, for instance, not  only  does a community of
        writers  form, but  specific discursive rules for that class arise. Misin-
        terpretations  generally  happen  when  one  student  applies  the  dis-
        course  rules  from  one  class  to  another.  It  seems that  the  context
        dependency  of the  class postings  does not  permit  discourse rules  to
        transfer  across  contexts.  Violations  of  the  established rules  of  dis-
        course for the class are frequently met with  assorted flames,  silence,
        or questions for the violators  to  clarify  their  positions.
           As threads multiply, instructors familiar with electronic commu-
        nication notice that written collaboration  begins as well, as  students
        (and  sometimes the instructor) contribute ideas to, delete unwanted
        information from, and alter their positions across a discussion. If in-
        structors  follow the patterns of conversation, intelligent discussions
        emerge through  the associations and connections each writer makes
        with others by sharing his or her individual views instead  of follow-
        ing prescriptive rules for writing  to an audience or to a genre.
           Another significant part of the mundane text, especially as it per-
        tains to networked writing  environments,  is the medium in which
        the writer produces the text. For instance, in popular culture and in
        many academic journal articles, computers are often  mythologized
        as being a "transparent"  medium. Because most of the current soft-
        ware  programs   simulate  familiar  objects  (files,  folders,  pieces of
        flying  paper, document  icons, file  cabinets, etc.) rather  than  com-
        mand   lines of computer  code, some people assume that users can
        see how a program  works in its physical structure.  Most  computer
        users in the  academy, even fairly sophisticated ones, find  the  ma-
        chine itself and its inner workings are nearly impossible to compre-
        hend;  few  actually  know  how  a  CPU processes  data  or  how  a
        network  sends data  packets of information.  Even fewer  care  how
        the computer  functions as long as when they boot up the system all
        parts  are in working  order. Unless one is writing  on an older iMac
        and can see the lights and wires flickering under the shell, visually a
        computer is a fairly opaque thing  compared with pen and paper.
           Transparency,  then, is a double-edged term: Transparency can mean
        either completely visible or invisible, depending on the user's point of
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