Page 76 - Composition in Convergence The Impact of New Media On
P. 76

TRANSFORMING  TEXTS         45

         becomes so critical to ensure that a student's visual rhetorical ability
         stands  equal to his or her written rhetorical  skill. Students  must be
         aware of the many contexts in which their work may be read as well
         as of the many  audiences who may  read the work.
           However, demanding that students sharpen their visual rhetori-
         cal  skills may  challenge a  writing  instructor's  own  control  over
         textual  production  in  networked  spaces. The professor may  not
         possess the knowledge or the comfort level to evaluate more than
         surface errors in the writing.  In some instances, the professor may
         not even know how to use the software a student used to create an
         internetworked  writing form.  Or the professor  may  only  have  a
         rudimentary understanding of how   something like HTML or even
         e-mail functions. There also may be instances where the instructor
        feels that if he or she reduces the emphasis on surface error to focus
         more on the visual rhetoric, then claims of poor quality control or
        weak instructional  curriculum  can sneak more easily into perfor-
        mance reviews or recontracting dossier letters. Last,  some faculty
        members   may   sense that  they  must  grade  surface  errors  rather
        than the more complex visual rhetoric issues because they or their
        writing  programs view internetworked writing   activities as being
        akin to journaling.
           Still,  if instructors  are  going to  assign writing  activities  in  net-
        worked spaces, they must  find a way  to assess those assignments if
        this work  is to be given any  serious consideration by students,  ad-
        ministrators, or other  faculty  members. This causes another  prob-
        lem  with  evaluating  mundane  e-texts.  These e-texts  are  slippery
        ones to assess because they conform more to professional writing or
        everyday writing needs compared with the culturally salient texts or
        aesthetically  valued  texts  preferred  in  most  academic circles.  The
        two  latter  groupings  illustrate  traditional  textuality  in ways  that
        mundane   texts  do not.  Culturally  salient  and  aesthetically valued
        texts  are  rule  or  convention  driven  and  dependent  on  extensive
        top-down   or linear beginning-to-end  structures  to function prop-
        erly. Conversely, mundane  texts link to pragmatic  issues for  specific
        outcomes. Moreover, the language use that occurs in mundane texts
        also echoes informal, pragmatic  usage. Additionally, the mundane
        text  category frequently blurs the boundaries of conventional gen-
        res—such as when a Ben and Jerry's annual business report chroni-
        cles a corporation's cultural or social history  or a Wall  Street Journal
        or Los Angeles  Times  article draws  on  the  language of academics to
   71   72   73   74   75   76   77   78   79   80   81