Page 127 - Composition in Convergence The Impact of the New Media on Writing Assessment
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94           CHAPTER 4

        can only evaluate students' writing after the instructors  observe the
        changes that are noted through  teacher and peer comments, student
        reflection,  or  other types of documented evidence. The reporting of
        results  during  an  assessment includes detailed explanations,  com-
        mentary,  and  more layers  of reflection. Yet usually,  portfolios  are
        read holistically based on some sort of rubric that segments writing.
        Moreover, portfolios are increasingly subjected to the breaking out
        of criteria in a barrier exam format. Therefore, what instructors  find
        is that even a more qualitative form of assessment like portfolios can
        be transformed into  the  language  and  actions  associated with  the
        psychometric model.
           Because most  composition  specialists now  try  to  create a very
        different reality concerning writing assessment  compared with the
        psychometricians'  methods,  one has  to  ask,  why  is Composition
        still using the definitions from  an antiquated  approach to describe
        and  explain  the  changes that  occur  in  student  writing? As Brian
        Huot (2002) noted, because Composition never truly claimed writ-
        ing assessment as part of its domain, there is no reason for the  field
        to  attempt  to  reclaim  or  rearticulate  the  psychometricians'  dis-
        course.  With  the  great  influx  of  computer-enhanced  writing
        classes,  this  question  is particularly  salient,  and  it  clearly  affects
        what happens in the college writing curriculum. Not only does the
        blending  of assessment technology and  computer  technology  re-
        configure  classroom space and instructional  techniques, students'
        perceptions of their authorial  rights, and the characteristics of the
        text;  it also affects  how  compositionists  study  their  students'  fin-
        ished work. These older rubrics  and concepts are a poor  fit for the
        multiple  layers  of  composing  that  happen  in  networked  assign-
        ments because they have accounted for neither visual rhetoric nor
        the development of the types of content  and the variations  of style
        that exist in electronic texts.
           Writing instructors  must  realize that quantitative and  qualita-
        tive methodologies ask faculty to view the individual writer in dis-
        tinct ways; the quantifier  sees the  student  writer as one of  many,
        and  she places the writer  in categories that correspond to general
        observations  about  behaviors,  attitudes,  and  expectations.  The
        qualifier looks at students as independent beings, each one possess-
        ing  very  different  sets  of  abilities,  and  assessment  cannot  group
        these abilities into  nice, neatly  separated categories. This separate
        worldview toward   assessment leads to the quantifier needing large
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