Page 42 - Composition in Convergence The Impact of the New Media on Writing Assessment
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INTERNETWORKED WRITING          9

        the body in computer-based writing allows greater numbers of stu-
        dents to participate because of technological innovations that make
        communication    possible  for  students  with  disabilities. However,
        faceless  interactivity  is also  a  rhetorical  context  full  of  risks  for  a
        writer. Howard Rheingold (1991) observed that some online writers
        are hampered by the disconnectedness and decontextualization that
        can  occur with  electronic communication.  That  seems to  be true;
        gregarious students, who  enjoy  a  live audience for their  ideas, fre-
        quently have difficulties  making the move to computer-based writ-
        ing  activities.  And there  are  still  many  students  who  value being
        present in a traditional  classroom interacting with instructors  and
        peers.  Of course, it  is also important  to  mention  the  digital divide
        that separates families with computers from those without (or fam-
        ilies with broadband vs. those who have dial-up access). For varying
        reasons, all these students find themselves feeling vulnerable or dis-
        advantaged   in  computer-based  writing  classes  because  of  the
        disconnectedness  and  decontextualization  that  can  occur  with
        asynchronous   writing.
           A second, but  equally important,  risk in online communication
        is a "panoptical" effect that occurs with some participants. Periodi-
        cally, the experience of writing for discussion lists or for web sites is
        compared to Foucault's description of Jeremy Bentham's Panopti-
        con, where everyone is seen or read,  so each person monitors  ac-
        cordingly his or her thoughts  and language. To clarify  this for  the
        classroom  experience, a  panoptical  effect  describes a  situation  in
        which students'  posted words and ideas are observed by everyone
        participating  during  that  writing  session. As  I  said  earlier,  net-
        worked   writing  is  almost  always  public,  even  in  classroom  set-
        tings.  In  fact,  the  only  private  form  of  networked  writing  that
        might  exist is when a writer posts a message to him or herself as a
        reminder  or  to  archive later. Otherwise, online conversations  are
        meant for public view and reaction. Some students respond to this
        circumstance by  self-censoring or  self-monitoring their  replies to
        the  group.  Others react  to  the  constant  sending and  receiving of
        messages by tapping into the relationships formed on screen (some
        of which may or may not  seep into F2F class encounters) or by con-
        structing  a  different  personality  from  the  one  presented  in  the
        classroom. This latter  option is done when students wish to  avoid
        the panoptical effect  and  speak freely.  Their construction of a new
        identity masks their  real presence in virtual space.
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