Page 92 - Confronting Race Women and Indians on the Frontier, 1815 - 1915
P. 92

C  H  APTER  Two


          reaction to Native American women more succinctly. "As to personal
          appearance, with very few exceptions, I can only specify three degrees­
          horrible, more horrible, most horrible."154
              Y e t  when  they  turned  their  attention  to  the matter  of women's
          dress, most Europeans did not seem to be describing ugly, filthy women.
          After a negative statement about Indian women, Isaac W e ld went on to
          recount  the  ribbons, jewelry, and profusion of ornaments with which
          they  adorned  themselves. 155  Others  also  spoke  of the  ribbons, shells,
          f e athers, beautiful dresses, delicate moccasins, and ornaments favored by
          Indian women.156  In  addition, there were f r equent comments regard­
          ing carefully arranged hairdos.  157 "Their hair is very beautiful," Xantus
          wrote of native women in Missouri, "always dressed with great care and
          f a lling softly  on  the shoulders." 158 Even  those  who  encountered poor
          Indians complimented women's dress. Harriet Martineau was impressed
          by native women in Oneida, New Y o rk, who were neatly dressed and
          wrapped  in  clean  blankets.  Fredrika  Bremer  complimented  Indian
          women in St. Paul f o r being "less painted, and with better taste than the
          men." 159 And in  r898, the English observer Trevelyan stated that Indian
          women dressed "like shabby Americans."  160
              Oddly  enough, this  was  not  the  way  American  Indian  women
          appeared in most European novels, where they were often presented as
          lovely young maidens or as princesses in exotic garb. During the early
          r 8 40s,  Marryat  characterized  them  as  adorned  in  doeskin  shirts,
          embroidered moccasins, ankle and wrist bracelets, and with jewels  in
          their luxuriant hair. 161  In  r845, another writer visualized his heroine
          in  an  elegant  sheepskin  cloak,  porcupine-quill  work,  and  elks' teeth
          ornaments.  162 Beads, tinkling silver bells, scarlet leggings, partially nude
          bosoms, hair that  reached  almost  to  the  ground,  and  wampum  belts
          were also mentioned by many authors.163 In r878, Gustave Aimard cre­
          ated a prototype of these  maidens when  he introduced Ova, a chief's
          daughter, who  wore "a tunic  of water-green  colour, f a stened around
          her waist by a wampum-belt, with  a large golden buckle." According
          to Aimard, she was much loved by all; when she danced f o r her f a ther,
          "the  old  man's f o rehead became  unwrinkled" and  her  lover brought
          her "perfumes of grizzly bears' grease, necklaces of alligator's teeth, and
          wampum girdles."164
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