Page 68 - Contemporary Cultural Theory
P. 68

GERMAN SOCIOLOGY

                                                   37
            which man grapples with and assimilates reality”;  a similarly Romantic
            moment his later call to arms: “we must strain our inventive and
            creative faculties to the utmost…let us go into the fight together
            encouraged by the thought that the fate of our language and the
            struggles to develop it, have…always been…closely bound up with
            the struggles of our country for national salvation”. 38
              In each case, determinist sociology and Romantic polemic are held
            in dynamic tension only by a near-apocalyptic understanding of the
            supposed “general crisis of capitalism”, in many respects startlingly
            reminiscent of Leavis’s own. For it was the very urgency of the perceived
            crisis, the same urgency that compelled both Caudwell and Fox to
            volunteer for Spain, that conjured up the peculiar necessity of this
            voluntarism. But when Western capitalism settled into its long post-
            war boom, all of this began to seem hopelessly antiquated. As Raymond
            Williams was to recall of his own brief association with British
            communism: “It may have seemed a natural response [to Leavisism]
            to retort that the point was not how to read a poem, but how to write
            one that meant something in the socio-political crisis of the time. But
            when the productive mood which was our way of replying by not
            replying faded away after the War, and we had to engage in literary
                                                                  39
            criticism or history proper, we found we were left with nothing”.  As
            cultural theory, socialist realism remains radically inadequate:
            predicated on a fundamental epistemological confusion between fiction
            and history, it led to a type of cultural criticism that was often both
            authoritarian and philistine. Much more readily defensible, however,
            was the communist insistence, first, that the political effects of art are
            perfectly proper matters of concern for the politically motivated artist;
            and secondly, that realistic literary technique might very well have a
            distinctly subversive such effect, by virtue precisely of its capacity to
            expose to public view previously hidden aspects of contemporary
            social reality



                                German sociology
            Western Marxism very obviously developed by way of reaction against
            communist Marxism. But it derived much of its initial theoretical
            inspiration, at least, from an earlier encounter between German classical
            sociology and Second (that is, Socialist) International Marxism. The


                                       59
   63   64   65   66   67   68   69   70   71   72   73