Page 59 - Convergent Journalism an Introduction Writing and Producing Across Media
P. 59

The Editing Process



                      When you asked why, the answer might have come back, “Because
                      I said so. That’s why.” If you think back on that moment, it proba-
                      bly seemed a fairly unsatisfactory answer because you weren’t able to
                      understand the rationale behind what you were told. When it comes
                      to writing, an editor who tells you to fix something “because I said so”
                      deprives you of any ability to incorporate those changes into your view
                      of writing. Granted, sometimes deadlines and other forms of impend-
                      ing doom require a brusque response. However, after the danger has
                      passed, it would probably be beneficial to inquire as to why you were
                      asked to make a change.
                         Similarly, you should have a good answer when an editor asks the
                      “why” question. Being able to rationalize behavior is a two-way street
                      when it comes to editing. An editor is seeing a story for the first time
                      and, thus, acts like a reader would. The editor sees the story unfold and
                      wonders why certain facts are missing or why certain pieces are higher
                      in the story than others. Readers will have those questions as well.
                      If there is a logical reason behind what you’ve done, you can discuss
                      the issue with your editor from a much stronger position. Sometimes,
                      we do things “just because,” which doesn’t exactly inspire confidence              49
                      in our editors. In that final read before you take the story to the editor,
                      go over your story and ask yourself why you included certain things
                      and why you chose that particular order for those things. It will help
                      you work better with your editor in getting the point across.




                      The “Final” Edit
                      Once you and your editor decide that the pieces are all in place, you’re
                      still not done. You need to give your story one final read for all the
                      minor things (and a few major ones) that can cause you trouble once
                      the story has been disseminated to the masses. Go through the story on
                      paper again and perhaps even read it out loud again. If you’ve moved
                      pieces around, you might have pulled a quote above the material that
                      introduces the source. With computers, it’s easy to move text around,
                      but it’s also easy to move things you didn’t intend to move.
                         When you’re reading the piece, have your source material handy.
                      Check names, addresses, titles, and spellings. Make sure the numbers
                      are all right. Also keep your AP style guide and dictionary handy. You
                      might catch that numerical error or realize you used the wrong word.
                      Each time you read something, you’ll notice another minor thing or
                      two. Clean them up as best you can, given the time available.
   54   55   56   57   58   59   60   61   62   63   64