Page 16 - Courting the Media Contemporary Perspectives on Media and Law
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Introduction – ―Mediating Mediation‖            7


                                 If there have been issues based on the uneven distribution of resources,
                             then  this  has  most  certainly  changed.  One  pragmatic  reason  for  excluding
                             cameras from court was their obtrusive nature, how even a small crew would
                             provide  distraction  from  proceedings.  This  is  no  longer  the  case.  Digital
                             cameras can be relatively discreet in use, and courts can maintain their own in-
                             house systems as part of their regular architecture. Instead of being reactive or
                             passive to the media system, the court can become a producer in its own right.
                             Whereas  earlier  media-law  relations  were  based  on  a  disparity  or  unequal
                             distribution of media resources within the public domain, with the broadcast
                             and film industry maintaining a virtual monopoly on high quality equipment,
                             the nature of media ownership and production has changed. The concept of
                             active, co production by the legal institution, can produce radical solutions to
                             the long standing problematic of media access. The idea of shared or pooled
                             material,  supplied  by  one  media  operator  but  available  to  competitors,  or
                             supplied  by  the  court  system  itself,  is  a  radical  renegotiation  of  law/  media
                             relations.
                                 One  can  speak  of  a  new  contractual  or  regulatory  framework  between
                             differing professional sectors in the public sphere. The commercial practice of
                             the  broadcast  industry  was  always  framed  by  regulation  –  of  program  and
                             commercial  content,  of  licence,  of  censorship,  of  ownership.  The  law  has
                             always  had  a  foot  in  the  backdoor  of  media  industries,  through  the
                             maintenance of substantive or media law. The regulation of access to courts,
                             and concerns about interference with proceedings, contempt and defamation
                             linked  to  the  proceeding  of  cases,  was  but  one  part  of  a  plethora  of
                             interventions and regulatory practices exercised by law in regard to media.


                                  TASERS AND THE STATE OF VIDEO TECHNOLOGY

                                 Christina Spiesel (―The Fate of the Iconic Sign‖) shows the opportunity to
                             define and respond to digital media forms. One presumption made about the
                             nature and function of media, and video in particular, that helped justify and
                             determine the regulatory regimes of the past, in particular the use of video in
                             court, and access of television to court, can also be seen to be changing, or at
                             least needful of change. That presumption was that video could be understood
                             as an essentially passive and realist medium that at best provided a literal copy
                             of  its  subject.  This  presumption  helps  understand  the  range  and  function  of
                             video in areas such as videoconference and interview, that have been seminal
                             in the use of video in court environments. Video is a convenient tool for visual
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