Page 40 - Critical Political Economy of the Media
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What (is) political economy of the media?  19

             analysis with naïve realism since this tends to discount the methods and material
             of empirical analysis which are indispensable tools for investigating media and
             for any ‘cultural materialism’. Second, debates on realism are ongoing within
             contemporary critical scholarship, with notable efforts to provide theoretical
             sophistication (Garnham 2000; Fuchs 2011). Third, there are, as Babe examines,
             deeper and more irreconcilable divisions between critical realism and
             postmodernism.

             Politics and political and social theory

             Cultural studies has been particularly associated with pluralising what constitutes
             the political. This has been influenced by feminist, LGBT, postcolonialist, and
             new social movement critiques of the exclusivity, selectivity, narrowness and
             hierarchisations of what constitutes the ground of politics. At a theoretical level
             Foucault’s rejection of a conception of power as repressive in favour of one
             where power is productive, diffused through discursive interactions, has been
             particularly influential. Identifying with the marginalised and subaltern, cultural
             studies has aligned with radical social movements but has tended to remain
             suspicious and disconnected from ‘organised’ labour movement politics, in con-
             trast to stronger links within CPE with labour and organised working class
             movements. There are, of course, vital debates about the scope, orientation and
             organisation of ‘progressive’ political change. Writers in the traditions of cultural
             studies and political economy have sought to clarify, and sometimes exacerbate,
             these divisions and so this remains fraught territory to navigate, with a legacy of
             reductive positioning and caricaturing. For some CPE writers, cultural studies
             approaches privilege social identity at the expense of addressing the political and
             economic forces that structure entitlements, inequality and oppression under
             capitalism (Mosco 2009). Cultural studies writers in turn have challenged CPE
             as privileging class-based politics and organised labour movements that are
             regarded as complicit with, or less radical in countering, other forms of oppression,
             notably those based on gender, sexuality and ethnicity.
               One key division has been in regard to the politics of recognition and associated
             power dynamics. Much of this is traceable to an older debate about Marxian
             class politics and its privileging of social class over gender, race and other divisions
             of power. The industrial working class as subject of history was challenged by
             both the evident failure of this unified subject to overthrow capitalism and the
             ordering of power which displaced other sources of oppression including those
             generated by the revolutionary (male) subject. However, it has been an unfor-
             tunate characteristic of radical ‘left’ movements to engage in often bitter and
             arcane sectarian divisions amongst themselves. The struggle has had added heat
             in academia for various reasons. It is much more a ‘war of words’, as shared
             commitment to praxis (theory-in-practice) and public–political engagement is more
             difficult to realise. Further, the debate strikes at core values and self-images for
             avowed radicals. As many now argue, in Euro-America at least, the times
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