Page 250 - Critical Theories of Mass Media

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Index

abstraction 47, 57, 115 analysis of 70
society dominated by 51 as exhibition 20
Abt, Vicki 149, 167 as ritual 20
Abu Ghraib prison 163 changing exhibition quality of 21
abuse of Iraqi prisoners at 192, 194–5, commercial considerations in 72
197 de-localization of 23
mediation of events at 178 evolution of 21
achieved celebrity 140 fascism and 28
acoustic space 88–9 historical formation and function of
admiring identification 152 18
Adorno, Theodor Ludwig Wiesengrund mechanical reproduction 20–21
[1903–69] 25–7, 34, 40, 47, 51, 60–84, mediatization of 17
99, 120, 135, 138, 142, 158–159, 161, politicization of 27
166, 168, 175, 200, 206–9, 211 religious veneration and 21
advertising 87, 123, 148–9, 184 art see also high art; low art
advertising campaigns 70 artist
aesthecization of politics traditional role of 198
fascism characterized as 53 artistic reproductions
aesthetic quantitative increase of 21
creation of new 29 ascribed celebrity 140
aesthetic production 17 Athena’s Shield 213
aesthetic sensibility 77 attributed celebrity 140
aesthetic terrorism 109 audience empowerment 6, 9
aesthetics audience investment 138
politicization of 53 audiences
Afghanistan 197 co-option of 143
Africa empowerment of 144
effect of radio on 100 aufhebgen 111
African American youth aura
urban fashion of 208 cinema and 152
aggression decline of 23, 139, 209
implicit in use of camera 46 definition of 18–9
Ahmadinejad, President Mahmoud 179 destruction of 41
alienation 115, 119–20 in art 21
drama of 209 loss of 145
allegorical signs 47 manipulation of political purposes 29
alphabetization photography and 43
playing with 149–51
effects of 91
political implications of decline in
Althusser, Louis Pierre [1918–90] 203 27–34
ambiguous transparency 148
American Idol 72, 75, 143 release from 63
anawim 213 aura of authenticity 149
Andrews, Julie 11 aural culture 95
angst 65 auratic art
anti-landmine campaign 146 traditional 35
architecture 35 auratic concentration
art shift to reproductive distraction 35
after advent of technological repro- authenticity
duction 30 aura of 149

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