Page 146 - Cultural Change and Ordinary Life
P. 146
Index 137
producer of culture, 43–4, 55–6, 117 Skeggs, B., 63, 65–6, 68–71, 101–2
production of culture thesis, 92–3 Smith, D.E., 11
prosthetic self, 70–1 social capital, 4, 26–7, 30–3, 88, 120
psychoanalysis, 106, 114 in Britain, 81–5
psychological theories of fandom, 114 class, education and, 85–8
Putnam, R.D., 4, 31–3, 78, 81–2 social globalization, 22–4
social life, as a game, 68
racialization, 40 social mobility, 86–7, 95, 98
radio, 2 social trust, 32, 82–4, 85
rational action model (RAT), 63, 68, 86 sociology, 4
real human needs, 8 sound, 3, 16–19
reception studies, 105–6 space
reciprocity, 32, 121 and extended audience, 115–17
reflexivity, 65 fandom and, 108–9, 111–12
relational nature of identity, 65 personal stereos and creating, 18
repetitiveness, 13, 18–19 spacing, 115
residence, 3, 51–2 special days/events, 37, 120
resistance, 8–9 specificities, 100
incorporation/resistance paradigm, 9, 36, spectacle, 5, 6, 28–9, 35–42
40, 51 spectacle/performance paradigm (SPP),
and television, 80, 101 35–48, 51
resources, 85–8 audience positions, 42–4
see also capitals research questions, 44–8
retired people, 79 speech, modes of, 100–2
Rodman, G.B., 112 sport
routine, 13, 18–19 contemporary football, 106–9, 110
events, 28, 42
Salih, S., 38, 39 Staiger, J., 105–6
Sandvoss, C., 33–4, 43, 107–9, 110, 111–12, status, 27, 76
114, 115 status group politics, 96–7
Savage, M., 49–50, 57, 60, 63–6, 77, 99, 101 Stebbins, R., 44
Sayer, A., 63, 71–3, 102 Straw, W., 52–3, 55, 56, 58
scene, 52–8, 61, 112 structural change, 96
and narrative, 54–5, 57, 59 structuration, 9
performing, audiencing and elective structure
belonging, 58–60 and agency, 30–1
place and, 54, 56–7 structuring television viewing, 80
problems with, 57–8 structure-culture-action (S-C-A) approach,
secondary transitional objects, 113 63–4
self subjectivity, 113–14
diffused, 117–18, 124 surfers, 46
extended, 117, 124 surrealism, 10–11
prosthetic, 70–1 surveillance, 28–9
see also identity symbolic capital, 31
self-reflection, 43 synopticism, 29
Shank, B., 52–3, 57, 58
Silva, E.B., 7, 11, 30 taste, cultural see cultural taste
Silverstone, R., 8–9 telephone, 2
Simkus, A., 27, 93–4 television, 1–2, 9, 33, 55–6
Simmel, G., 10 BFI tracking study, 77–81
simple audiences, 36, 40–1, 42, and football fandom, 109
119–20 modes of speech, 101