Page 146 - Cultural Change and Ordinary Life
P. 146

Index  137

                   producer of culture, 43–4, 55–6, 117  Skeggs, B., 63, 65–6, 68–71, 101–2
                   production of culture thesis, 92–3  Smith, D.E., 11
                   prosthetic self, 70–1             social capital, 4, 26–7, 30–3, 88, 120
                   psychoanalysis, 106, 114           in Britain, 81–5
                   psychological theories of fandom, 114  class, education and, 85–8
                   Putnam, R.D., 4, 31–3, 78, 81–2   social globalization, 22–4
                                                     social life, as a game, 68
                   racialization, 40                 social mobility, 86–7, 95, 98
                   radio, 2                          social trust, 32, 82–4, 85
                   rational action model (RAT), 63, 68, 86  sociology, 4
                   real human needs, 8               sound, 3, 16–19
                   reception studies, 105–6          space
                   reciprocity, 32, 121               and extended audience, 115–17
                   reflexivity, 65                     fandom and, 108–9, 111–12
                   relational nature of identity, 65  personal stereos and creating, 18
                   repetitiveness, 13, 18–19         spacing, 115
                   residence, 3, 51–2                special days/events, 37, 120
                   resistance, 8–9                   specificities, 100
                     incorporation/resistance paradigm, 9, 36,  spectacle, 5, 6, 28–9, 35–42
                      40, 51                         spectacle/performance paradigm (SPP),
                     and television, 80, 101            35–48, 51
                   resources, 85–8                    audience positions, 42–4
                     see also capitals                research questions, 44–8
                   retired people, 79                speech, modes of, 100–2
                   Rodman, G.B., 112                 sport
                   routine, 13, 18–19                 contemporary football, 106–9, 110
                                                      events, 28, 42
                   Salih, S., 38, 39                 Staiger, J., 105–6
                   Sandvoss, C., 33–4, 43, 107–9, 110, 111–12,  status, 27, 76
                      114, 115                       status group politics, 96–7
                   Savage, M., 49–50, 57, 60, 63–6, 77, 99, 101  Stebbins, R., 44
                   Sayer, A., 63, 71–3, 102          Straw, W., 52–3, 55, 56, 58
                   scene, 52–8, 61, 112              structural change, 96
                     and narrative, 54–5, 57, 59     structuration, 9
                     performing, audiencing and elective  structure
                      belonging, 58–60                and agency, 30–1
                     place and, 54, 56–7              structuring television viewing, 80
                     problems with, 57–8             structure-culture-action (S-C-A) approach,
                   secondary transitional objects, 113  63–4
                   self                              subjectivity, 113–14
                     diffused, 117–18, 124           surfers, 46
                     extended, 117, 124              surrealism, 10–11
                     prosthetic, 70–1                surveillance, 28–9
                     see also identity               symbolic capital, 31
                   self-reflection, 43                synopticism, 29
                   Shank, B., 52–3, 57, 58
                   Silva, E.B., 7, 11, 30            taste, cultural see cultural taste
                   Silverstone, R., 8–9              telephone, 2
                   Simkus, A., 27, 93–4              television, 1–2, 9, 33, 55–6
                   Simmel, G., 10                     BFI tracking study, 77–81
                   simple audiences, 36, 40–1, 42,    and football fandom, 109
                      119–20                          modes of speech, 101
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