Page 13 - Cultural Studies A Practical Introduction
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Preface                          xi

                  that no one in the nineteenth century would recognize as  “ legitimate ”

                  music. The bohemians were first perceived to be rulebreakers by the keepers
                  of normative culture, but with time, the changes they introduced into
                  cultural life altered for the better the cultural house they and we live in.
                     To use a contemporary analogy, culture is the software of our lives.
                  It is the program we live by, the rules that determine how we think and
                  act. But it is also the malleable, rewritable script that we ourselves rework
                  and recreate as we live and produce creative works and say and do creative
                  things in our lives.  Culture  is a more inclusive term than  art , another name
                  for human creativity, because it allows for everyday art and common crea-
                  tivity, something that happens without frames or legitimizing institutions
                  such as galleries or museums or concert halls. When girls take to body
                  piercing and young men to tattooing as a way of  “ expressing ”  themselves,
                  of distinguishing their identity from that of others amongst their peers or
                  from their parents ’  culture, they are being creative culturally in this larger
                  sense. Artists of everyday life, they are practicing an everyday aesthetics that
                  has more to do with lived life than with the frames of institutional art.
                  Indeed, Cultural Studies came into being in Britain in the 1960s and 1970s
                  to a large degree as an examination of such creativity and of the ways it
                  clashed with institutional, legitimate, or formal culture. Punk style, such

                  scholars argued, was significant within the culture precisely because it
                  sought to shatter culture understood as behavior - determining norms. The
                  most interesting tension in culture will occur at the frontier running
                  through everyday life where the normative and the creatively dissonant
                  collide. Normative culture must respect established forms and prescribed
                  practices. It is our way of maintaining the stability of our civil life in com-
                  munities. Creative culture has less respect for such things; indeed, it is

                  defined as disrespect for whatever would make the new resemble the old.
                  Culture in this sense is human life remaking itself anew every day. It
                  is creative destruction as much as it is system maintenance through
                  embedded normative prescription.
                     Culture understood as what maintains civility in communities is neces-
                  sary because nature propels humans toward physical survival in ways that
                  can lead to violence, domination, and injustice. Culture and civility are our
                  ways of tempering those physical urges, but violence, domination, and
                  injustice occur nevertheless, and Cultural Studies has a moral, ethical, and
                  political dimension to the degree that it takes stock of that reality. In some
                  humans, at least, there is a strong drive toward the over - accumulation of
                  social resources, the subordination of others through dominance behavior,
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