Page 43 - Cultural Studies Volume 11
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ONE CLEANS, THE OTHER DOESN’T 37

            In a reading similar to Deleuze and Guattari’s, Jane Gallop deconstructs the Dora
            case, another of Freud’s interpretative narratives laced with the concerns about
            cleanliness,  dirt,  class  and  gender.  Specifically,  Gallop  investigates  the
            composite figure of the governess/maid/nurse as she relates to the ‘mother’ and
            to  the  question  of  transference.  For  Gallop,  the  maid’s  presence  in  the  family
            constitutes  the  most  pointed  ‘intrusion  of  the  symbolic into  the  imaginary’,  an
            intrusion  that  inscribes  the  ‘economic’  and  ‘extra-familial’  on  to  the  otherwise
            imaginary homogeneity and unity of the family (1982:144). One of the illusory
            features of the psychoanalytic imaginary is precisely the assumption of a private
            sphere  that  encloses  the  family  absolutely,  that  psychically  constitutes  and
            positions all its members outside of economic exchange.
            The fallacy of this assumption, made manifest in the Dora case, surfaces in the
            figure of the mother. As Gallop puts it, ‘they [Freud and Dora] think there is still
            some place where one can escape the structural exchange of women. They still
            believe  that  there  is  some  mother  who  is  not  a  governess’  (1982:147).  She
            concludes,  ‘In  feminist  or  symbolic  or  economic  terms  the  mother/wife  is  in  a
            position of substitutability and economic inferiority. For the analysis to pass out
            of  the  imaginary,  it  must  pass  through  a  symbolic  third  term…a  term  that
            represents a class’ (1982:148).
              Gallop draws a comparison between the psychoanalyst and the governess or
            maid on the basis that both are paid for their services and dismissed from the family
            at the whim of their employer. This connection is one that Freud did not analyse,
            because in Dora’s narrative, the governess is seduced and abandoned, a debased
            and dirty identification that Freud could not tolerate (Gallop, 1982:147). Yet the
            case, both as Freud wrote it and as Gallop interprets it, contains another narrative
            of familial contamination, debasement and payment for services, articulated once
            again around a related confusion of sexual acts and cleaning practices.
              One of the very few comments that Freud makes about Dora’s mother is that
            she suffered from ‘housewife’s psychosis’. Felix Deutsch, an analyst who treated
            Dora after Freud, observed that this psychosis consisted ‘of obsessional washings
            and other kinds of excessive cleanliness’, mannerisms that Dora inherited from
            her  mother.  Deutsch  remarks:  ‘Dora  resembled  her  [her  mother]  not  only
            physically but also in this respect. She and her mother saw the dirt not only in
            their surroundings, but also on and within themselves’ (1957/1985:41). Indeed,
            Dora’s  mother  apparently  died  from  cleaning  too  much:  ‘I  learned  from  my
            informant… [S]he worked herself to death by her never-ending, daily cleaning
            compulsion—a task that nobody else could fulfill to her satisfaction’ (1957/1985:
            43).
              Writing about the notion of heterosexuality that Dora received from her mother,
            Maria Ramas notes that it was ‘equated with contamination and self-destruction’.
            Dora’s  father  had  almost  certainly  infected  her  mother  with  syphilis  and  Dora
            ‘knew  how  he  had  become  so…she  understood  that  he  [had  led]  a  loose  life’
            (1985:159).  Ramas  then  identifies  another  cleaning  scene,  left  out  of  Freud’s
            account, that shapes the obscure margins of the Dora case. In this scene, Kathe
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