Page 50 - Cultural Studies Volume 11
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P.G.KNIGHT
                 NAMING THE PROBLEM: FEMINISM

              AND THE FIGURATION OF CONSPIRACY











                                        ABSTRACT
                This  article  takes  as  its  starting  point  Naomi  Wolf’s  claim  that  the
              argument  of  The  Beauty  Myth  (1991)  does  not  amount  to  a  conspiracy
              theory. In order to understand what might cause her rhetorical insistence,
              the  figuration  of  conspiracy  is  traced  through  the  trajectory  of  popular
              American  feminism  from  Betty  Friedan  to  Wolf.  A  reading  of  The
              Feminine  Mystique  (Friedan,  1992)  demonstrates  its  reliance  on  the  cold
              war  language  of  brainwashing,  as  well  as  a  conspiracy  theory  of  mass
              culture,  in  its  description  of  being  a  housewife  in  the  early  1960s.  If  the
              language of conspiracy provides Friedan with a metaphor which highlights
              the political dimension of personal experience, then an analysis of some of
              the  feminist  groupings  later  in  the  decade  reveals  an  increasing
              literalization  of  the  figure.  A  discussion  of  Mary  Daly’s  Gyn/Ecology
              (1984)  provides  the  next  key  moment,  leading  to  the  observation  that
              during the 1970s and 1980s the emphasis in popular feminism shifted from
              ‘naming  the  problem’  to  the  problem  of  naming.  A  close  reading  of  the
              rhetorical strategies of The Beauty Myth indicates that Wolf’s text marks a
              crisis  point  over  the  distinction  between  the  literal  and  the  metaphorical,
              centred  on  the  notion  of  conspiracy.  It  emerges  that  what  this  textual
              anxiety  points  to  is  a  deeper  division  between  academic  and  popular
              feminism. In effect, this article argues that feminist cultural studies should
              seek to read popular feminism in a fashion similar to its engagement with
              popular culture.
                                        KEYWORDS

                conspiracy theory; American popular feminism; figuration
            Having  outlined  in  the  Introduction  to  The  Beauty  Myth  the  ‘now  conscious
            market manipulation’ of the diet, cosmetics, and pornography industries, Naomi
            Wolf  insists  that  ‘this  is  not  a  conspiracy  theory’  (1991:17–18).  And,  having
            described how the ‘ideology that makes women feel “worth less” was urgently
            needed to counteract the way feminism had begun to make us feel worth more’,
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