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64                         Chapter Two

           or, setting theory aside, that media products are just plain fun. By contrast,
           within critical cultural studies, asymmetries and injustices in the distribution
           of communicatory power are front and center. Indeed, among the five char-
           acteristics of (critical) cultural studies listed by Sardar and Van Loon, three
           explicitly have to do with power:

             [Critical] cultural studies aims to examine its subject matter in terms of cultural
             practices and their relation to power. Its constant goal is to expose power relation-
             ships and examine how these relationships influence and shape cultural practices.
             [Critical] cultural studies’ . . . objective is to understand culture in all its com-
             plex forms and to analyse the social and political context within which it mani-
             fests itself.
             [Critical] cultural studies is committed to moral evaluation of modern society
             and to a radical line of political action. . . . Cultural studies aims to understand
             and change the structures of dominance everywhere, but in capitalist societies in
             particular. 15

             At this point, however, a cautionary note must be sounded, to be amplified
           throughout the book. Although the upper right-hand quadrant of figure 2.1 is
           labeled critical-idealist, it is also the case that the more poststructuralist the
           writings are, the greater is the tendency to abandon certain defining proper-
           ties of critical analysis, including the presumption that there are enduring cri-
           teria (or in Lazarsfeld’s terms, “human values,”) by which to judge events,
           situations, conditions, structures, and practices. As well, due to its emphasis
           on language, poststructuralism tends to emphasize interpretive freedom on
           the part of message recipients, again melding this ostensibly critical stance
           with “celebrative” cultural studies. In the course of this book, I will in fact
           propose that poststructuralist positions are in practice faux-critical, that they
           are quite status quo-affirming. But we are not ready to probe quite so deeply
                                    16
           just yet.
             Today, exponents of poststructuralist cultural studies often write as if their
           presumptions and their modes of analysis encompass the entire cultural stud-
           ies field. Notwithstanding the fragmentation of cultural studies discussed ear-
           lier, when poststructuralist cultural studies scholars denigrate political econ-
           omy, they usually do so as if they were speaking for the entire field, which is
           far from the case. I will argue in this book that in fact the differences between
           poststructuralists and political economists today are no greater than they are
           with cultural materialists, that indeed the differences are identical! So, when
           poststructuralists like Lawrence Grossberg, Angela McRobbie, and others
           point to irreconcilable differences between cultural studies and political econ-
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