Page 110 - Culture Media Language Working Papers in Cultural Studies
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HOUSEWIVES AND THE MASS MEDIA 99

            A.   Yes, in  between  half-five and eight, that’s me  busiest time,  feed  him,
                 change him, sometimes bath him. I don’t bath him very often, erm, get
                 Richard’s dinner and I always clean up straight away, the washing up, and
                 then I get everything settled and that takes me up to about 8 o’clock, ’cos I
                 stop at half-past six  to  watch  Crossroads (laughs). And then  from  8
                 onwards I just sit and watch the box (laughs).
            D.   Why do you like Crossroads?
            A.   Just that you like to know what’s going to happen next, you know. I mean
                 they’re terrible actors, I know that, and I just see through that, you know. I
                 just, now and then I think, ‘Oh my God, that’s silly,’ you know, but it’s not
                 the acting I’m interested in, it’s what’s going on. I suppose I’m nosy….
            D.   The time then between that—do you watch the news?
            A.   I watch a little bit of it, erm (pause). I don’t really like the news much
                 because it’s all politics, generally and British Leyland out on strike again,
                 and this and that. I like to hear the news things if, er,—if there’s been a
                 murder, I  know that sounds  terrible, but  I like to hear—‘Oh what’s
                 happening next, what have they found out?’ That sort of news I like, you
                 know— gossip. ((Yes.))
            D.   Do you ever watch documentaries?
            A.   Now and then I find an interesting one. I watched one the other night about
                 people who’d got diseases.
            Lorna
            L.   We have the radio on all day, you know, from the time we get up till the
                 time the tele comes back on. I usually put it on at 4 o’clock for the kids’ tele
                 and they watch all the children’s programmes, and it might come back off
                 at 6 and it might not go back on again till half-past seven.
            D.   So you don’t watch the news?
            L.   No, I never watch the news, never.
            D.   Why don’t you watch it?
            L.   I don’t like it, I don’t like to hear about people dying and things like that. I
                 think about it afterwards and I can’t sleep at all. Like when I watched that
                 thing, World at War, and I watched it once and all I could see were people
                 all over the place, you know, heads and no arms and that and at night I
                 could not sleep. I can’t ask him to turn it over ‘cos he likes it, so I go in
                 the kitchen till it’s finished.

            It is clear that the  news, current affairs, political programmes and scientific
            programmes, together with portrayals of war (real or in the guise of war films)
            are actively rejected by the women. They will leave the room rather than sit there
            while the news is on. The world as revealed through the news is seen to be (a)
            depressing,  (b) boring, but (c) important. The ‘news values’, as  realized  in
            agendas,  are ‘accepted’, but they  have  alternative values which the women
            recognize but do not suggest should form an alternative coverage. In fact, the
            importance  of accepted ‘news values’ is recognized,  and although their  own
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