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INTRODUCTION 47

            of nineteenth-century society and,  not least, to ‘bourgeois’ (or aristocratic)
            freedoms. It is arguable that it was not so much middle-class agitation or the
            amateur culture of aristocracy that made England ‘relatively free’ but a plebeian
            agitation and culture, or, more accurately still, the friction of all three. If space
            allowed,  this could be demonstrated in several critical areas:  in the actual
            achievement of  parliamentary  democracy  (as opposed to a  wholly propertied
            parliamentary system); in the liberty of the press and of public meeting, both
            freedoms being won or maintained by popular exercise; and, not least, in the
            stemming of a very real impulse to a bureaucratic state, signalled in the popular
                                                                31
            defeat of the full Chadwickian programme of Poor Law reform.  Certainly, in
            the early nineteenth century, working-class movements seem to have been the
            main bearers of the notions of natural and civic rights.
              This does not, of course, solve the problem, unfairly fathered on Moore, of
            how the popular challenge was contained. We  shall return to  it, in  a quite
            different guise, later. In the meantime it is worth noting that a part of the answer
            is contained, as so often in this extremely rich book, in another part of the story.
            For in a later chapter Moore presents us with a critique of  both conservative
            historiography and the idealist conception of culture. It is a pity these dimensions
            did not inform his English history—particularly in this passage:

              The assumption of inertia, that cultural and social continuity do not require
              explanation, obliterates the fact that both have to be recreated anew in each
              generation, often with great pain and suffering. To maintain and transmit a
              value system human beings are punched, bullied, sent to jail, thrown in
              concentration camps, cajoled, bribed, made into heroes, encouraged to read
              newspapers, stood up against a wall and shot and sometimes even taught
              sociology. To speak of cultural inertia is to overlook the concrete interests
              and privileges that are served by indoctrination, education and the entire
              complicated  process of transmitting  culture from one generation  to  the
              next. 32
            It is  quite  true that  in nineteenth-century England  there was more bribing,
            cajoling, making of heroes, supplying newspapers and teaching in schools than
            the  more  brutally repressive alternatives.  Political economy was taught, not
            sociology. Also ideology and a cultural control had deeper  roots and a more
            organic origin than Moore’s mere accumulation of apparatuses might suggest.
            Yet, to say it again, it is just this dimension that ought to have informed Moore’s
            English story—and did not.
              As we have seen, the key note of the ‘classic’ Marxist version of English social
            development is  success—success of a  peculiarly early  and complete  capitalist
            transformation and the masked political success of the English bourgeoisie under
            nineteenth-century conditions.  The Nairn and Anderson version centres, by
            contrast, on failures, failures of the modern social classes. The first and most
            determining  feature is a  characteristic and abiding relationship between the
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