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Discursive Testing: The Public Sphere and its Critics  49

                                  the ideal of unrestrained dialogue evokes an aspiration for co-presence
                                  among citizens that may have fit the ancient Greek agora but not

                                  the conditions of large-scale, modern societies. As Peters points out,
                                  Habermas’s more recent work discards the fallacy of co-presence,
                                  that is, the identity of citizens and government. (Our reading of
                                  Structural Transformation suggests, in fact, that this was always the
                                  case.) But in that case, asks Peters, why does Habermas continue
                                  to hold fast to a rationalist conception of communication and to
                                  condemn the aesthetic spectacle of representative publicity as a threat
                                  to democracy? If, in complex, large-scale societies, we cannot all be
                                  equal participants at all times in the political process then political
                                  communication will inevitably involve spectatorship. To condemn
                                  outright all modes of representative publicity is to condemn the very
                                  processes that make possible membership of and involvement in a
                                  political community. Aestheticisation is also enfranchisement. 51
                                    At the same time, Peters does nothing to distinguish the necessary
                                  embodiment of representative structures from an untrammelled
                                  aestheticisation of politics. There is, indeed, a necessary connection
                                  between representative structures and aesthetic communication.
                                  Once we discard the fallacy of communicative transparency in a
                                  complex world, we see that mediated and condensed symbols of
                                  trust, status and aura will play their part in the democratic process.
                                  But these considerations are always relative. After all, it would
                                  be difficult to argue that any piece of political communication
                                  – technologically mediated or otherwise – does not carry with it
                                  an aesthetic or expressive dimension, whether or not that is the
                                  intention of the speaker. The sincerity or aura of the speaker and
                                  the imaginative appeal of the visions they evoke, are invariably
                                  subject to a certain aesthetic judgment by citizens. Habermas’s later
                                  theory of ‘communicative action’ rests precisely upon the notion that
                                  ordinary speech encompasses expressive, normative and cognitive
                                  dimensions simultaneously.
                                    Representative structures demand a certain communicative ‘short-
                                  circuiting’ which implicates the mass media (see Chapter 4) and
                                  the partial displacement of cognitive utterances by expressive or
                                  emotive symbols. But this stops short of accepting the inevitability of
                                  a predominantly aestheticised politics. The mere fact of representative
                                  political structures and mass mediation does not, of itself, condemn
                                  the public sphere to a politics of style without substance. Habermas
                                  himself may be suspicious of communication beyond the written
                                  and spoken word and Peters is correct to question that. I shall argue









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