Page 112 - Envoys and Political Communication in the Late Antique West 411 - 533
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Envoys and Political Communication,411–533

         narrative to manufacture this image of Avitus as envoy. It is the assump-
         tions behind Sidonius’ literary presentation of his hero as an envoy, not
         the elusive details of Avitus’ dealings with the Goths, which are most
         informative of the role of political communication in the politics of the
         West in the mid-fifth century.
           The literary nature of the Panegyric, and the circumstances of its de-
         livery, are often and unwisely ignored when assessing the information it
         provides. The Panegyric is nota record like a formal history or a chroni-
         cle. It is an ornately literary and political work that happens to treat real
         events rather than, for example, mythology. Modern critics, failing to take
         proper account of the work’s literary and ceremonial nature, have some-
         times misconstrued the poem as a poor attempt at a historical sketch of
         the early fifth century, or as a personal political manifesto expressing the
                                            4
         aspirations of the south Gallic aristocracy. Ignoring the circumstances of
         the delivery of the Panegyric has led to dismissal of its political message as
         mere flattery. 5
           The poem can be understood only in the immediate political con-
         text of its delivery. In Rome on 1 January 456, Sidonius celebrated a
         provincial usurper who had claimed power ata time of greatupheaval,
         supported by barbarian auxiliaries. The audience of the poem was the
         senatorial aristocracy of Rome, whose influence on imperial politics in-
         creased in the mid-fifth century. Sidonius was conscious of criticisms of
         Avitus’ legitimacy, and in particular of his relations with the Goths. In his
         later Panegyric on the emperor Majorian, also the product of a period of
         4  Historical sketch: Samuel Dill, Roman Society in the Last Century of the Western Empire, 2nd edn
          (London, 1906), 334; A. Arnold, ‘Sidonius Apollinaris’, Realencyklop¨ adie f¨ ur protestantische Theologie
          und Kirche xviii (Leipzig, 1906), 303: ‘[the Panegyric] spiegelt die Zeitgeschichte seit c. 420 aus
          seiner Artwieder’.
            Political manifesto: Marc Reydellet, La Royaut´ e dans la litt´ erature latine de Sidoine Apollinaire ` a
          Isidore de S´ eville (Rome, 1981), 50–5: ‘une grande unit´ e...de pens´ ee’ behind all Sidonius’
          panegyrics expresses a ‘senatorial and republican’ idea of imperial power; Rouche, L’Aquitaine,
          29–30:the Panegyric expresses the ‘optimisme’ of the south Gallic nobility (cf. Dill, Roman Society,
          335: ‘The poem reflects the general gloom’); Teillet, Des Goths ` a la nation gothique, 195: ‘[Avitus]
          apparaˆ ıt, aux yeux de Sidoine, comme un interm´ ediaire tout d´ esign´ e entre Rome et la capi-
          tale wisigothique, entre l’Empire et les nations’; Rigobert G¨ unther, ‘Apollinaris Sidonius – Eine
          Untersuchung seiner drei Kaiserpanegyriken’, in G. Wirth et al., Romanitas–Christianitas: Unter-
          suchungen zur Geschichte und Literature der r¨ omischen Kaiserzeit (Berlin, 1982), 660: ‘Romm kann von
          Gallien gerettet werden’; H. S. Sivan, ‘Sidonius Apollinaris, Theoderic II, and Gothic–Roman
          Politics from Avitus to Anthemius’, Hermes 117 (1989), 87–90: the poem expresses ‘Sidonius’ ad-
          vocacy of Gallo-Gothic cooperation’; Harries, Sidonius: the main purpose of the poem at the time
          of delivery was to justify Avitus’ ‘policy’ of cooperation with the Goths, in contrast with Aetius’
          efforts to contain the barbarians (67–8). These analyses generally focus on the poet’s presentation
          of the Gothic kings, not his image of Avitus, the subject of the Panegyric.
         5
          E.g. Thomas Hodgkin, Italy and Her Invaders ii (Oxford, 1880), 375–6. Two valuable analyses of
          the literary nature of the Panegyric are the brief account of Sabine MacCormack, Art and Ceremony
          in Late Antiquity (Berkeley, 1981), 223–4 and, in greater detail, Harrison, ‘Verse Panegyrics of
          Sidonius’.
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