Page 173 - Envoys and Political Communication in the Late Antique West 411 - 533
P. 173

The saint as envoy: bishops’ Lives

           The author has reworked elements from Constantius’ embassy narra-
         tives and Sulpicius’ scenes of secular confrontation in order to describe
         the appeal of a bishop for release of fellow citizens imprisoned because of
         onerous taxation. The description of the embassy, however, is ambigu-
         ous. The purpose of Vivianus’ journey to Toulouse is not explicitly to
         plead for release of the prisoners, but to share their captivity voluntarily;
         arriving in the royal city, the bishop does not seek an audience with the
         king, butis summoned by Theoderic only because of his benevolence
         towards the thief; at the convivium, Vivianus makes no representation to
         the king. It is only after Theoderic’s vision that the author refers to
         ‘[Vivianus’] petition for the release of the citizens’. 133  This ambiguity is
         underscored by the statement that Vivianus achieved the release of the
         prisoners ‘trusting in divine authority rather than in supplication’. 134  The
         author of Vita Viviani seeks to exploit the drama and image of authority
         which could be drawn from embassy scenes, without portraying his sub-
         ject in the humbling position of a suppliant. This ambiguity reflects closer
         adherence to Constantius’ Germanus than to Sulpicius’ Martin. Though
         Martin ‘commanded rather than requested’ when making supplications
         to the emperor Maximus, his Vita and Sulpicius’ Dialogi show him com-
         promising his views in order to win appeals. 135  Constantius’ portrayal of
         Germanus’ embassies to Arles and to Ravenna, however, avoids actually
         presenting the bishop in supplication. 136
           Though neither Vita Orientii nor Vita Viviani displays the sustained
         narrative structure of Vita Germani, both imitate Germanus’ presentation
         of a bishop engaged in undertaking embassies to secular rulers on behalf
         of his local community, to prevent war and oppressive taxation. Both


         133  Vita Viviani, 6: petitio eius [sc. Viviani] pro absolutione civium.
         134  Vita Viviani, 6: auctoritate divina potius quam supplicatione fretus.  135  Above, atnn. 33, 36.
         136  Cf. later versions of Pope Leo’s embassy to Attila, in which, like Theoderic in Vita Viviani, Attila
           is convinced by visions rather than persuasion: Pizarro, Writing Ravenna, 117–18.
             Vita Viviani clearly influenced the Life of Marcellus, bishop of Die in Viennensis (463–510).
           The extant prose and metric texts of his life are Carolingian but may be based on an earlier
                  ¸
           Vita: Francois Dolbeau, ‘La Vie en prose de saintMarcel, ´ evˆ eque de Die’, Francia 11 (1983),
           97–130, esp. 107–9, prose text at 113–30.Asinthe Vita of Vivianus, the citizens of Marcellus’
           town are deported en masse by a Gothic king, though here the king is Euric, and the exiles are
           taken to Arles not Toulouse; Marcellus secures their release after a healing miracle which restores
           the king’s (unnamed) son to health (Vita Marcelli iv–v). More clearly than in Vita Viviani,no
           supplication on the part of the bishop is intimated. In a later episode, however, the bishop does
           act explicitly on behalf of the city of Die: while in Lyons to attend the dedication of a church (in
           506: Dolbeau, n. 44 to Vita Marcelli ix, 1), he petitions the Burgundian king Gundobad, seeking
           immunitas for Die from a tax. Gundobad refuses, but reverses his decision after a healing miracle
           cures a servantof his queen Caratena (Vita Marcelli ix; for Caratena: CIL xiii, 2372; PLRE ii,
           ‘Caratena’, 260–1; Heinzelmann, ‘Gallische Prosopographie’, 574). Healing miracles involving
           the children or servants of powerful figures are a common hagiographical motif following New
           Testament archetypes; see n. 19 above. On Vita Marcelli, see also chapter 6 below, n. 81.
                                      147
   168   169   170   171   172   173   174   175   176   177   178