Page 209 - Key Words in Religion Media and Culture
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192  Jeremy Stolow

               By  emphasizing  how  historically  contingent  is  the  modern,  occidental
             division between a mundane, knowable world of technical action and an
             imperceptible, transcendent, numinous, or supernatural “other,” Szerszynski
             reminds us that this is hardly a universal, let alone a self-evident, way of
             understanding  the  cosmos.  Consider,  as  a  counter-example,  the  animist
             cosmogony  found  throughout  indigenous  Amazonia,  where  humans,
             animals, and other natural and supernatural beings are seen to exist in a
             state  of  metaphysical  continuity,  based  on  a  shared  set  of  principles  and
             forces emanating from all bodily organs (Viveiros de Castro 1998). A basic
             precept in the Christian tradition involves drawing a fundamental distinction
             between  human  bodies,  which  are  said  to  possess  souls  (and  therefore
             uniquely capable of salvation), and all the other living and inanimate bodies
             that do not. However, such a divide makes little sense in Amazonian terms.
             As  Viveiros  de  Castro  argues,  rather  than  trying  to  distinguish  between
             spiritual  essences  (which  are  authentic  and  real)  and  bodily  appearances
             (which, as surfaces, only hide the truth), Amazonian indigenes confront an
             undifferentiated cosmic order wherein efficacious meanings slip backward
             and  forward,  between  and  among  its  various  human  and  nonhuman
             inhabitants, and in and through the “equipment” that is used to connect
             such beings. Within this framework, a shaman engages with objects such as
             animal skins as technologies,

               endowed with the power metaphysically to transform the identities of
               those who wear them, if used in the appropriate ritual context. To put
               on mask-clothing is not so much to conceal a human essence beneath
               an animal appearance, but rather to activate the powers of a different
               body. The animal clothes that shamans use to travel the cosmos are not
               fantasies but instruments: they are akin to diving equipment, or space
               suits, and not to carnival masks. The intention when donning a wet suit
               is to be able to function like a fish, to breathe underwater, not to conceal
               oneself under a strange covering. In the same way, the “clothing” which,
               amongst animals, covers an internal “essence” of a human type, is not a
               mere disguise but their distinctive equipment, endowed with the affects
               and capacities which define each animal.
                                                   (Viveiros de Castro 1998: 482)

               Lest we be tempted here to indulge in the sort of romantic primitivism
             that  we  have  already  seen  used  to  relegate  Kalahari  Bushmen  to  the  far
             side of Western modernity, we might further note that Amazonian shamans
             are not the only “technologists” who, in their efforts to gain such things
             as power, knowledge, health, or release from suffering recognize no fixed
             or  impermeable  boundaries  between  humans  and  nonhumans,  the  visible
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