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Copyright
             There is no requirement for literary merit. Letters or emails written to a newspaper are
             subject to copyright, although where a letter or email is sent to a newspaper or magazine the
             writer permits publication of it by the newspaper or magazine on at least one occasion. Even
             computer programs and databases, seemingly without literary ‘merit’, are expressly included
             if they constitute the author’s own intellectual creation. Railway timetables and logarithmic
             tables are both literary works. Football fixture lists and pools coupons also qualify for
             copyright protection (Ladbroke (Football) Ltd v William Hill (Football) UK Ltd (1964)). This
             enables the Football League, which owns the copyright, to charge the pools promoters to
             reproduce the fixtures, whilst permitting football clubs to do so free of charge.

             Television listings are copyright works (Independent Television Publications Ltd v Time Out
             Ltd (1984)). Considerable skill and labour goes into devising weekly schedules. Copyright
             is owned by the BBC and by the independent television companies. However, as a result of
             Section 176 of the Broadcasting Act 1990 and the decision in Magill TV Guide v Independent
             Television Publications (1991), television companies must now make full seven-day listings
             available to publishers at least two weeks in advance.  As well as marketing their own
             comprehensive weekly guides, these companies also grant licences for their own programme
             listings.

             The CDPA makes it clear that spoken words that are recorded by any means become literary
             works and therefore qualify for copyright protection. The author of the work – in other words
             the speaker – owns the copyright. There is an important exception to this rule. Use of a
             recording of spoken words, such as an interview made for the purpose of recording current
             events, a broadcast or for inclusion in a cable programme, is not an infringing act subject to
             its meeting certain criteria under Section 175 of the Broadcasting Act 1990.

             Some works may be too short to be protected by copyright. Although much time, money,
             skill and effort may go into devising a name for a new product or company, copyright cannot
             exist in a word. ‘Exxon’, the American industrial corporation, sued to prevent the use of its
             made-up name by an insurance company on copyright grounds. It failed (Exxon Corporation
             v Exxon Insurance Consultants International Ltd (1982)). Only the law of trademarks or the
             common law action of passing off can prevent imitators from trading on the established name
             and goodwill of another.

             Dramatic works
             Plays, choreographed work, dances, stage musicals and mimes are dramatic works.  The
             scenarios and scripts for films may also be protected under this category. The difference
             between a dramatic work and a literary work is that a dramatic work has spoken words or
             some form of action that is to be performed.

             Musical works
             Copyright exists in an original musical work once it is written down. If music is recorded
             without being written down, it may only be protected as a sound recording – for example,
             if a record is made of musicians ‘improvising’.
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