Page 158 - Living Room Wars Rethinking Media Audiences for a Postmodern World
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In the realm of uncertainty: the global village and capitalist postmodernity       149
        e.g., Ahmed 1992). In other words, at the heart of capitalist postmodernity is an extreme
        contradiction: on the one hand, its very operation depends  on encouraging infinite
        semiosis, but, on the other hand, like every systemic order, it cannot let infinite semiosis
        go totally unchecked.
           So, the capitalist world-system today is not a single, undifferentiated, all-
        encompassing whole, but a fractured one, in which forces of order and incorporation (e.g.
        those of globalization, unification and ‘Westernization’) are always undercut (though not
        necessarily subverted) by forces of chaos and fragmentation  (e.g.  localization,
        diversification and ‘indigenization’). In this world-system there are still dominant forces
        (it would be ludicrous to deny this), although there is never a guarantee in advance that
        their attempts to impose order—which is  what the dominant will always do—will be
        successful: think only  of  former President Bush’s failure to create a ‘New World
        Order’—now a quaint idea! Nor does relative  failure to impose order mean that the
        dominant are any less powerful; on the contrary: it only means that the effectivity of their
        resources and forms of  exercise  of  power  is uncertain. Stronger still, it is precisely
        because of this uncertainty that order is consciously conceived as a task, a problem, an
        obsession; a matter of design, management, engineering, policy (Bauman 1991:6). In this
        sense, the very insecurity of order in capitalist postmodernity—contradictorily based as it
        is on both fixing and  unfixing  meanings  and identities, both the delimitation and the
        instrumental expansion of the social—only encourages the dominant to feverishly step up
        both the intensity and the range of their ordering practices. But the work will never be
        done: in the capitalist world-system the moment of absolute order will never come. Even
        worse, precisely because global  capitalism  becomes ever more totalizing, the task of
        order making will become ever more  grandiose and complex, the suturing of the
        fragments of the system into a totality an ever more unfinishable, Sisyphean labour. As
        Zygmunt Bauman puts it, ‘[p]roblems are created by problem-solving, new areas of chaos
        are generated by ordering activity’ (1991:14). For one thing, this is how we can interpret
        the ceaseless search for better measurement  methods  and technologies in the ratings
        industry, or the frantic, neverending quest for new advertising and marketing strategies to
        capture the elusive consumer.
           But if the forces of order are continuously deployed without ever achieving complete
        order (ultimate closure, a finite and finished totality, totalized structure), then the forces
        of chaos are also continuously impinging on the system without ever resulting in total
        chaos (inexhaustible openness, unbounded infinitude,  unfettered process). Instead,
        capitalist postmodernity is an orderly disorder, or disorderly order, whose hegemony rests
        on the setting of structural limits, themselves precarious, to the possibilities of random
        excess. It is within these limits that ‘resistance’ to the dominant takes place (except in the
        rare situations of ‘revolutions’, which  are temporary moments of  limitlessness).  In
        Wallerstein’s words:

              Universalism [of capitalist modernity] is  a ‘gift’ of the powerful to the
              weak which confronts the latter with a double bind: to refuse the gift is to
              lose; to accept the gift is to lose. The only plausible reaction of the weak
              is neither to refuse nor to accept, or both to refuse and to accept—in short,
              the path of the seemingly irrational zigzags (both cultural and political) of
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