Page 99 - Mass Media, Mass Propoganda Examining American News in the War on Terror
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The Media's  War                    89

               speaks  with  contempt  of  Friedman's  view,  "commonplace  among  American
               elites that the world should be grateful for the hellfire unleashed by the U.S.
               military.. . Friedman postulates a fairytale world where American foreign policy
               is always governed by principle and genuine humanitarian concern. His role as
               establishment-scribe is to perpetuate the illusion that the American Goliath may
               stumble, but the policy is always driven by good intenti~ns."~~


                                    A Pattern of Reversals

               The New  York  Times columnists who have been the most critical of the Bush
               administration also fall within the mainstream liberal archetype in that they ei-
               ther refuse  to  condemn,  or  inconsistently condemn American  policy  in  Iraq.
               These @-Ed  writers concurrently argue that the U.S. is a repressive imperial
               power, but also that the problem with the war is that the U.S.  cannot find ways
               to effectively fight and win it. These columnists reaffirm, to varying degrees, the
               liberal propaganda model as illustrated by Thomas Friedman. The antagonism
               between the two conflicting positions-between  pragmatic pro-war criticisms on
               the one hand, and radical condemnations of imperial war on the other-makes   it
               difficult to discern a consistent pattern of criticism on the part of these @-Ed
               writers.
                  Bob Herbert, while sometimes presenting progressive condemnations of the
               war-including  condemnations of the loss of American and Iraqi life-has  often
               relied upon a very limited framework for critiquing the war. Herbert's  frame-
               work centers on what he feels is a major problem behind the war-that   it has
               been "mismanaged,"  "misguided,"  and "not  ~ustainable."~~ one of his editori-
                                                             In
               als, "How Many Deaths Will it Take," Herbert argues that that the problem with
               the war is that it is "unwinnable,"  and that, "we've  put our troops in Iraq in an
               impossible situation. If you are not permitted to win a war, eventually you will
               lose it."75 Herbert attacks the Bush administration for having "foolishly started"
               a war that they "can't  figure out how to win,"  as the main problem seems to be
               that "Mr.  Bush had no coherent strategy for defeating the insurgency."76 Her-
               bert's criticisms are for the most part conventional: "we haven't  given them [the
               troops]  a  clear mission,"  "we  can't  identify  the  enemy,"  the  war  is  costing
               "staggering amounts of money,"  and the U.S. has failed "to send enough troops
               to effectively wage the war that we started."77
                  As is the case with other pundits at the New  York Times, "anti-war"  criti-
               cisms are limited to tactical critiques of the Bush administration based predomi-
               nantly upon highlighting military errors that, if corrected, might contribute to a
               more  smoothly  functioning occupation  and  war  effort. Throughout the  war,
               though, Herbert began to change his tone a bit by offering anti-war claims with
               more  substance. By July of 2005,  Herbert  was  condemning war planners for
               their intent "to  establish a long-term military presence in Iraq to ensure Ameri-
               can domination of the Middle East and its precious oil reserves."78 Subsequent
               columns  ridiculed  Waslungton  for  its  reliance  on  the  "toxic  fog  of  fantasy,
               propaganda, and deliberate misrepresentation that [have] been such a hallmark
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