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288                                                       CANTOR

           The predominant interest in this chapter is fright as an immediate emo-
        tional response that is typically of relatively short duration, but that may
        endure, on occasion, for several hours, days, or even longer. The focus
        here is on emotional reactions involving components of anxiety, distress,
        and increased physiological arousal that are frequently engendered in
        viewers as a result of exposure to specific types of media productions.
           Research interest in the phenomenon of fright reactions to mass media
        goes back as far as Herbert Blumer’s (1933) studies of children’s fright
        reactions to movies. Although sporadic attention was paid to the media as
        a source of children’s fears in the succeeding several decades, research
        attention began to focus on this issue more prominently in the 1980s. One
        reason for this more recent focus on fright may have been the release of
        several blockbuster frightening films in the 1970s. As anecdotal reports of
        intense emotional responses to such popular films as Jaws and The Exorcist
        proliferated in the press, public attention became more focused on the
        phenomenon. Although many adults experience such reactions, the major
        share of public concern has been over children’s responses. The furor over
        children’s reactions to especially intense scenes in the 1984 movies Indiana
        Jones and the Temple of Doom and Gremlins prompted the Motion Picture
        Association of America to add “PG-13” to its rating system in an attempt
        to caution parents that, for whatever reason, a film might be inappropri-
        ate for children under the age of 13 (Zoglin, 1984). In addition, the rapid
        expansion in the number of cable channels has meant that most films pro-
        duced for theatrical distribution, no matter how brutal or bizarre, eventu-
        ally end up on television and thus become accessible to large numbers of
        children, often without their parents’ knowledge. Finally, as television
        news became more graphically visual and sensational in the 1990s,
        observers began speculating about the effects of such images on chil-
        dren’s psychological health. The September 2001 terrorist attacks on New
        York and Washington, DC, intensified these concerns.

        Prevalence and Intensity of Media-Induced Fright Reactions

        As early as the 1930s Blumer (1933) reported that 93% of the children he
        questioned said they had been frightened or horrified by a motion pic-
        ture. More recently, about 75% of the respondents in two separate samples
        of preschool and elementary school children in Wisconsin said that they
        had been scared by something they had seen on television or in a movie
        (Wilson, Hoffner, & Cantor, 1987).
           In other research, a survey of more than 2,000 third through eighth
        graders in Ohio public schools revealed that as the number of hours of
        television viewing per day increased, so did the prevalence of symptoms
        of psychological trauma, such as anxiety, depression, and posttraumatic
        stress (Singer, Slovak, Frierson, & York, 1998). Moreover, a survey of the
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