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                      painted backlit scenes before an audience on a revolving platform. The changes of
                      lighting in front and behind the scenes gave the illusion of motion and of time
                      passing and heightened the realism of the scene. The success of Daguerre’s diorama
                      declined with its novelty, and it disappeared during the mid-nineteenth century.
                   Encyclopaedism: I use this term very broadly to refer to the omnivorous appetite for
                      knowledge of the Victorian bourgeoisie, in a period when it was still believed that
                      everything could be gathered, classified and systematically known. Yet this concept
                      has its origins in the work of the eighteenth-century French philosophers Diderot
                      and d’Alembert whose Encyclopédie was published between 1751 and 1772. The
                      French encyclopaedists saw their project as a collection of all existing knowledge
                      and as a stand against irrationalism and they believed that scientific, political and
                      social progress would result from their work.
                   Eugenics: The eugenics movement was founded by Sir Francis Galton, Darwin’s cousin,
                      who adapted evolutionary theory and the selective breeding of animals to the pro-
                      ject of producing an ‘ideal’ society. Eugenics influenced the attempts by various
                      national governments in the  first half of the twentieth century to control popu-
                      lations through laws relating to miscegenation and compulsory sterilization of
                      the ‘unfit’ (usually people with mental illnesses or with disabilities). Eugenics is
                      regarded as very tainted because of its link to such coercive practices, and especially
                      to the Nazi genocide. Nevertheless it shaped the science of genetics and its influence
                      can be seen in common medical practices such as foetal screening, though this
                      remains controversial.
                   Experience economy: The experience economy was described (and advocated) by busi-
                      ness writers B. Joseph Pine II and James H. Gilmore in a 1999 book. Using the
                      example of Walt Disney amongst others, they argued that businesses should create
                      memorable experiences for their customers, and the memory is itself the product. In
                      an experience economy, the value of goods and services are measured by the feel-
                      ings they provoke, and the ‘transformation’ of visitors through experience is con-
                      ceived of as added value. The experience economy implies the commodification of
                      sensations and memories, and requires the development of techniques to measure
                      transformation.
                   Fetishism: Initially an anthropological term associated with nineteenth-century religious
                      practices on the west coast of Africa. The fetish is a material object used in
                      religious ritual, attributed special powers or human qualities. European philosophers
                      saw African cultures as representing an early stage of social evolution. This gave
                      rise to the argument (put forward by Auguste Comte) that fetishism was a rudimen-
                      tary form of religion  – the primitive precursor of modern spiritualism and the
                      belief in the soul. The term was later appropriated by Karl Marx (see commodity
                      fetishism) and Sigmund Freud. Between 1905 and 1927 Freud developed his concept
                      of fetishism to characterize the sexual desire for an object or body part. He theor-
                      ized that pathological fetishism in men, where sexual desire can only be aroused by
                      certain objects or materials, was a response to the castration anxiety provoked by
                      the discovery that women do not have penises. The fetish object becomes a phallic
                      substitute, and also a form of protection for the fetishist, who oscillates between
                      acknowledgement and denial of sexual difference.
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