Page 69 - Myths for the Masses An Essay on Mass Communication
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Mass Communication and the Promise of Democracy

           loss of diversity, which applies to the form and content of mass
           communication and diminishes a native imagination that sustains
           cultural heterogeneity.
             The issue, then, is not so much the undisputed presence of
           Western media in dependent or developing nations, but their pen-
           etration of the respective cultural scenes and their impact on the
           creation of reality that will shape the lived experience of people,
           provide new meanings, and replace resistance with complacency, if
           not acceptance of the status quo. For these efforts, the media also
           demand larger economic, technical, and social resources than tradi-
           tional cultural institutions ever did, to employ the instruments of
           mass communication effectively in the process of incorporation.
             In the larger context of cultural imperialism and the charge of
           its undesirable effects on dependent societies, mass communication
           has become a politicized concept.This shift constitutes a significant
           change from social scientific approaches to mass communication in
           proceedings of cultural colonization or domination, when address-
           ing a politically charged subject from a clearly political perspective
           becomes unavoidable. Herbert Schiller does so – in the American
           context – with considerable success. He stimulated discussion of US
           intervention in the cultural milieu of developing countries during
           the late 1960s, in particular, and challenged foreign policy goals
           regarding the deployment of mass communication. His work,
           although economically determined, places mass communication at
           the center of concrete political and economic activities and invites
           a Marxist critique of mass communication, not unlike the work of
           Dallas Smythe. Together, their efforts focus on the society of the
           spectacle, to use Guy Debord’s phrase, to reveal the commodified
           process of mass communication in the service of capitalist interests.
           In a global context, mass communication contributes to the reign
           of what Michael Hardt and Antonio Negri have called “empire,” or
           an idea of control over social life and human nature, in general,
           without spatial or temporal boundaries.
             The success of this new form of sovereignty depends to a large
           degree on the deployment of mass communication in the interest
           of transforming older and more rigidly defined forms of power into
           an informational economy with fluid boundaries of domination.
           The notions of empire and mass communication, historically con-

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