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Works Cited and Consulted



                              Alexander,  J.  (2004)  ‘The  Shunned  Houses  of  Takashi  Shimizu’,  Rue
                                Morgue:Horror in Culture and Entertainment, 40, July-August, 14-19.

                              Alexander,  J.  R.  (2005)  ‘The  Maturity  of  a  Film  genre  in  an  Era  of
                                relaxing Standards of Obscenity: Takashi Ishii’s Freeze Me as a Rape-
                                Revenge Film’, in Senses of Cinema, no. 36 (Jul-Sept 2005). On-Line.
                                Available HTTP: www.sensesofcinema.com (11 March 2006).

                              Allison,  A.  (2000) Permitted  and  Prohibited  Desires:  Mothers, Comics,
                                and Censorship in  Japan. Berkeley  and  Los  Angeles,  CA:  University
                                of California Press.

                              Allsop,  S.  L.  (2003)  ‘Battle  Royale:  Challenging  Global  Stereotypes
                                withinthe  Constructs  of  a  Contemporary  Japanese  Slasher  Film’, The
                                Film  Journal,  volume  7,  November.  On-Line.  Available  HTTP:
                                www.thefilmjournal.com/ (5 May 2005).

                              Aoyagi, H. (2000) ‘Pop Idols and the Asian Identity’, in Craig, T. J. (ed.)
                                Japan Pop!: Inside the World of Japanese Popular Culture. New York
                                & London: M. E. Sharp, 309-26.

                              Astruc,  A.  (1968)  ‘Birth  of  a  New  Avant-Garde:  La  camera-stylo’  in
                                Graham,  P.  (ed.)  The  New  Wave:  Critical  Landmarks.  Garden  City,
                                New York: Doubleday, 17-23.

                              Barenblatt,  D.  (2005) A  Plague  upon  Humanity:  The Hidden  History  of
                                Japan’s Biological Warfare Program. New York: Harper Paperbacks.
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