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McRoy, J. (2004) ‘The Technology of ‘Nonfiction Filmmaking’ in
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_____. (2001) ‘All Night Long I (Review)’, Midnight Eye: The Latest and
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_____. (2003) ‘Kiyoshi Kurosawa (Interview)’, Midnight Eye: The Latest
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_____. (2003) Agitator: The Cinema of Takashi Miike. London: FAB
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Midori, M. ‘The Place of Marginal Positionality: Legacies of Japanese
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Mitchell, E. (2002) ‘Film Festival Review: Alienated Teenagers Find
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