Page 2 - On Not Speaking Chinese Living Between Asia and the West
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ON NOT SPEAKING CHINESE










        In this major new book, leading cultural thinker Ien Ang engages with urgent
        questions of identity in an age of globalization and diaspora. The starting-point for
        Ang’s discussion is the experience of visiting Taiwan. Ang, a person of Chinese
        descent, born in Indonesia and raised in the Netherlands, found herself ‘faced with
        an almost insurmountable difficulty’ – surrounded by people who expected her to
        speak to them in Chinese. She writes: ‘It was the beginning of an almost decade-
        long engagement with the predicaments of “Chineseness” in diaspora. In Taiwan
        I was different because I couldn’t speak Chinese; in the West I was different because
        I looked Chinese.’
          From this autobiographical beginning, Ang goes on to reflect upon tensions
        between ‘Asia’ and ‘the West’ at a national and global level, and to consider
        the disparate meanings of ‘Chineseness’ in the contemporary world. She offers a
        critique of the increasingly aggressive construction of a global Chineseness, and
        challenges Western tendencies to equate ‘Chinese’ with ‘Asian’ identity.
          Ang then turns to ‘the West’, exploring the paradox of Australia’s identity as a
        ‘Western’ country in the Asian region, and tracing Australia’s uneasy relationship
        with its Asian neighbours, from the White Australia policy to contemporary
        multicultural society. Finally, Ang draws together her discussion of ‘Asia’ and ‘the
        West’ to consider the social and intellectual space of the ‘in-between’, arguing
        for a theorizing not of ‘difference’ but of ‘togetherness’ in contemporary societies.

        Ien Ang is Professor of Cultural Studies and Director of the Institute for Cultural
        Research at the University of Western Sydney, Australia. She is the author of
        a number of books, including Watching Dallas (1985), Desperately Seeking the
        Audience (1991) and Living Room Wars (1996), and recently co-edited Alter/
        Asians: Asian Australian Identities in Art, Media and Popular Culture (2000).
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