Page 306 - Contribution To Phenomenology
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BIOGRAPHY AS     A  CULTURAL    DISCIPLINE          299

              practice  of  biography  is  at  the  same  time  that  of  the  socio-historical-
              cultural  lived  world.  The  biographer  proceeds  on  the  assumption  that  the
              biographee  possesses  a  "personal  life-history,"  which  is  a  cultural  rather
              than a  'natural'  or  biological  concept.  Only  animate  beings  endowed  with
              a  historical  consciousness  and  a  sense  of  temporal  continuity  can  have
              a  life  history  that  they,  and  others,  can  recognize  as  a  unique  and
              irreducible  destiny.  While  we  sometimes  speak  of  a  concept,  a  work  of
              art,  or  even  an  institution,  such  as  the  judiciary  system,  as  having  a  life-
              history,  such  usage  is  analogical,  metaphorical  or  derivative.  In  fact,  the
              biographical  subject  is  the  cultural  object  par  excellence;  that  is,  a
              product  of  a  historical,  cultural  situation  who  nevertheless  has  an
              important  say  in  how  that  life  is  to  be  lived.  Accordingly,  by  reflecting
              on  the  procedures  adopted  and  adapted  for  the  study of  persons, we  are
              better  able  to  appreciate  and delineate  the  compass  of  the  cultural world
              and  the  adequacy  and  limitations  of  inquiry  directed  at  it.
                The  situation,  however,  is  not  totally  bleak.  The  literary  biographer
              Leon  Edel  has  heralded  the  challenge  of  making biography  "declare  itself
              and  its  principles"^;  that is, to confront,  reform  and  transform  the  practice
             so  that  it  may  be  made  theoretically  rigorous  and  methodologically  fec-
              und.  Although  Edel  was  focussed  primarily  on  the  practice  of  literary
             biography, he  believed  that  the  consequences  of  his  analyses  extended  to
             other  forms  of  the  practice.^  Edel's  call  for  reform  has  been  heeded.
             There  is  even  an  interdisciplinary  quarterly.  Biography,  devoted  to  the
             subject  that  is  published  out  of  Hawaii.  Even  so,  few  philosophers  have
             entered  the  fray.
                My  aim  in  this  essay  is  to  step  into  the  breach  and  I  see  my  task  as
              two-fold.  First,  by  reflecting  on  the  practice,  as  practiced,  I  hope  to
             delineate  some  of  its  distinctive  features  as  well  as  to  isolate  and  discuss
             some   of  the  key  assumptions  that  inform  its  aims  and  strategies.
             Accordingly,  in  the  first  section  of  this  essay,  I  rehearse  some  of  the
             salient  methodological  and  practical  difficulties  that  are  encountered  in
             the  practice  as  well  a  number  of  the  strategies  offered  to  overcome  or


                  ^  Leon  Edel,  "Biography  and  the  Sciences  of  Man,"  in  New  Directions  in
             Biography, edited  by  Anthony  M.  Friedson,  (Hawaii:  University  of  Hawaii  Press,
              1981),  5.
                  ^  Leon  Edel, Literary Biography  (Bloomington:  Indiana  University  Press,  1973),
             2  and  Leon  Edel,  "The  Biographer  and  Psycho-Analysis," New  World Writing,  edited
             by  Stewart  Richardson  and  Corlies  M.  Smith  (Philadelphia:  J.  B.  Lippincott
             Company),  52.
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