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Media and religion in transition  69

            deVries concentrates almost entirely on an issue that also seems to concern
            many of the others in the collection: the idea that media can, through the
            manipulations of things like “special effects,” radically alter the meaning
            of religious revelation or insight, specifically in relation to the meaning of
            “miracles.” Weber’s essay focuses on the structuration of media experi-
            ence, on notions of ritual and the relationship of repetition to
            understandings of truth and the possibility that the media may, in some
            implicit, yet fundamental, way, be involved in the “return of the
            religious.” 88
              In all of these cases, there is a tendency to invest entirely too much in
            implicit and assumed characteristics of the media and too little in the
            wider social and economic contexts within which the media function. 89
            Technological determinism has long been discouraged in academic theory-
            building, and many of those criticisms are relevant when looking at how
            media technology might be affecting “religion” as well.
              Dualism. In contrast to the “transformationist” school, there has also
            been a tendency for some commentary on religion and media to have
            within it an implicit dualism dividing the “sacred” from the “secular,”
            and, by implication, dividing “religion” from “the (secular) media” at the
            same stroke. This has been one of the easy assumptions underlying the
            secular press’s approach to religion, discussed earlier. It has also been at
            the root of the criticism leveled at the media from critics in the religious
            world. A good deal of the angst that flows from religious institutions when
            they are under press scrutiny is based on a sense that the world represented
            by religion and that represented by the media are – or should be – kept
            distinct. It has deeper roots, though, going back to Durkheim, who origi-
            nally theorized a sacred/profane divide, and later social theorists who too
            quickly connected the sacred with authentic or traditional culture and the
            profane with the instrumental world of commerce, economy, politics, and
            social life. 90
              Within mass communication and media studies, there has been a consis-
            tent tendency to hold to a separation between those messages and practices
            of reception that might be construed as “religious” and those which are
            more “secular” or material in orientation. Recent works on media ritual,
            for example, have been at pains to keep this distinction in mind. In his
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            influential book, Television Culture, John Fiske drew the definition rather
            starkly, saying that the whole of his analysis on media culture and its audi-
            ences should be understood as fundamentally secular. 92
              Formalism. There has also been an implicit formalism in some work at
            the boundary between religion and the media. Daniel Dayan and Elihu
                                       93
            Katz’s work on “media events,” which we will consider in more detail in
            Chapter 9, exhibits a tendency to treat religion’s presence in public rituals
            of social meaning by its absence. Religion contributes certain forms to the
            ceremonies, and in keeping with some approaches to the study of “civil
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