Page 299 - Religion, Media, and the Public Sphere
P. 299

1.  2002b. Representing the Muslim: The “Courtesan Film” in Indian Popular Cinema.
                  In Imagining the Other: Representations of Jews, Muslims and Christians in the Media,
                  ed. T. Par¤tt and Y. Egorova, 78–92. London: Curzon.
                1.  2002c. Real and Imagined Audiences: Lagaan and the Hindi Film after the 1990s.
                  Etnofoor 15, 1/2 (December), Special volume: Screens: 177–193.
                1.  2003. International Hinduism: The Swaminarayan Sect. In South Asians in the
                  Diaspora: History and Religious Traditions, ed. K. A. Jacobsen and P. Kumar, 180–199.
                  Leiden: Brill.
                1.  2005. Filming the Gods: Religion and the Hindi Film. London: Routledge.
                Dwyer, Rachel, and Divia Patel. 2002. Cinema India: The Visual Culture of the Hindi Film.
                  London: Reaktion.
                Eck, Diana L. 1985. Darsan: Seeing the Divine Image in India. 2nd ed. Chambersburg:
                  Anima.
                Elsaesser, Thomas. 1985 [1972]. Tales of Sound and Fury: Observations on the Family
                  Melodrama. Reprinted in Bill Nichols, Movies and Methods, 2:165–189. Berkeley: Uni-
                  versity of California Press.
                Hansen, Thomas Blom. 1999. The Saffron Wave: Democracy and Hindu Nationalism in
                  Modern India. Princeton, N.J.: Princeton University Press.
                1.  2001. Wages of Violence: Naming and Identity in Postcolonial Bombay. Princeton,
                  N.J.: Princeton University Press.
                Jaffrelot, Christophe. 1996. The Hindu Nationalist Movement and Indian Politics, 1925 to
                  the 1990s. London: Hurst.
                Kapur, Anuradha. 1993. The Representation of Gods and Heroes: Parsi Mythological
                  Drama of the Early Twentieth Century. Journal of Arts and Ideas 23–24:85–107.
                Larkin, Brian. 1997. Indian Films and Nigerian Lovers: Media and the Creation of Par-
                  allel Modernities. Africa 67 (3): 406–440.
                Lutgendorf, Philip. 1995. All in the (Raghu) Family: A Video Epic in Cultural Context.
                  In Media and the Transformation of Religion in South Asia, ed. L. Babb and S. Wadley,
                  217–253. Philadelphia: University of Pennsylvania Press.
                Masselos, J. 1991. Indian Nationalism: A History. 2nd ed. New Delhi: Sterling.
                Merchant, Khozem. 1996. The Television Revolution: India’s New Information Order.
                  Green College, Oxford, Reuter Foundation Paper 42.
                Mitra, Ananda. 1993. Television and Popular Culture in India: A Study of the Mahabharat.
                  New Delhi: Sage.
                Niranjana, Tejaswini. 1994. Integrating Whose Nation? Tourists and Terrorists in “Roja.”
                  Economic and Political Weekly 29, 3 (January 15): 79–82.
                Pinney, Christopher. 2000. Public, Popular and Other Cultures. In Pleasure and the Na-
                  tion: The History, Consumption and Politics of Public Culture in India, ed. R. Dwyer
                  and C. Pinney, 1–34. Delhi: Oxford University Press.
                Prasad, M. Madhava. 1998. Ideology of the Hindi Film: A Historical Construction. Delhi:
                  Oxford University Press.
                Rajadhyaksha, Ashish. 1993. The Epic Melodrama: Themes of Nationality in Indian
                  Cinema. Journal of Arts and Ideas 35–36:55–70.
                Rajadhyaksha, Ashish, and Paul Willemen. 1999. An Encyclopaedia of Indian Cinema.
                  2nd ed. London: British Film Institute.
                Rajagopal, Arvind. 2001. Politics after Television: Hindu Nationalism and the Reshaping
                  of the Public in India. Cambridge: Cambridge University Press.
                Sen, Amartya. 1998. Secularism and Its Discontents. In Secularism and Its Critics, ed.
                  R. Bhargava, 454–485. Delhi: Oxford University Press.

                      288  Rachel Dwyer
   294   295   296   297   298   299   300   301   302   303   304